Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, March 28, 2011

After This and That - Now The Other!


The Jazz Festival is different for me from last year as I was very new to the Jazz World then but I’m finding my Jazz Feet now and they’re tapping away nicely on Friday evening in the Jazz Lounge, to the sound of ACV. I’d seen this band advertised many times by Lance and others, and it’s great to discover them for myself. As the brochure says, influences of prog rock, I hear Hendrix in there, and Andy Champion does so many fast chord changes that I’m worried that his left hand will fall off.
Next I’m in Hall 2 listening to Soweto Kinch and it’s good to see modern elements fully integrated into jazz. I refer to the hip-hop (or is it rap, somebody tell me the difference). Anyway, one song was a call and response and then we had great fun with the freestyle, based on the word ‘freedom’. This man is an excellent verbal communicator with audiences, never mind his vibrant sax playing.
Saturday and I’m in the loo at the Sage when I hear the most wonderful African singing and am tempted to rush out mid-stream so I don’t miss it. It’s ‘Hannabiell and Midnight Blue’ on the Concourse, wonderful African drums and percussion. This must have been one of the high points of the festival as it stopped everyone in their tracks.
Rapt attention.
Discussion is taking place about alterations to the Jazz Lounge programme as someone is threatening to jump off the Tyne Bridge, so traffic is held up. I then find myself in the lounge, listening to Nick Pride and the Pimptones, another band I’ve only seen advertised, and such professionalism under fire so to speak, as they were obliged to do a shortened set. I’m fascinated at the way Nick manages to integrate instructions to the band into his introductions, such as ‘And horns start this one’, normally stuff he’d say offstage I suppose. The evening sees me checking out the Central Bar, long before the Jam Session, just to see the architecture, which is smart Victorian (I think) and smells fresh and clean. Packed with punters. I predict a great future for this pub.
The main informal event of Sunday was to see my friends from the Sage Blue Jazz singing class doing their stuff on the Concourse with Lindsay Hannon and the Alan Law Trio. And didn’t they do well, Heather, Andrea and Gabby, all different and pleasing, with songs such as ‘All of You’ and ‘Song for my Father’. I’m out of the class this term (folk music called me back) but, (Health and Safety Warning to the Blue Jazzers ), I intend to return.
Oh, I forgot to mention the delights of the Horn Dogs (Horns, with cymballed bass drum and Snare drum, a set up I’d not seen before) and the wonderful Rocket Science (jazz/rock) whom I’m pleased to say I discovered for myself long before my jazz days. And two singers with them, and one used her voice as a musical instrument when singing with the band. Must try that soon.
Ann Alex

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