Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18219 (and counting) posts since we started blogging 17 years ago. 73 of them this year alone and, so far this month (Jan. 24), 73

From This Moment On ...

JANUARY 2026

Thu 29: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 35s only. Rescheduled from December 4th.
Thu 29: Oh No Noh + Dan Coulthurst Quintet @ Cobalt Studios, Newcastle. 7:00pm (doors). £16.45., £13.28., £12.22., £9.04. Coulthurst (trumpet); Joel Steadman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 30: Pete Roth Trio @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Feat. Bill Bruford.
Fri 30: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 30: Dan Coulthurst Quintet @ Central Bar, Gateshead. 7:30pm (7:00pm doors). £10.00 + £1.00. bf (www.wegottickets.com). Coulthurst (trumpet); Joel Steadman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).

Sat 31: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 31: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

FEBRUARY 2026

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: TBC.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 26, 2011

Sage Gateshead International Jazz Festival - ACV – Friday 25th March 2011.

Andy Champion (bass), Adrian Tilbrook (drums), Paul Edis (piano/ keyboard), Graham Wilson (baritone/tenor sax) and Mark Williams (guitar). The first time I heard ACV I didn’t like them! If that sounds heretical please bear in mind that I have admitted (on this website) to being an ignoramus. Several gigs later, having moved from incomprehension to qualified approval, the Sage tonight was my “Damascus” (via the Bridge and Whitley Bay): I am converted! It was brilliant, from start to (all too soon) finish. I wanted to shout: “Put Soweto Kinch on hold – give us an encore”! Throbbing bass began it on A Line Made by Walking, and an amazing bowed bass solo brought the house down at the end on Without Bones. The latter ended with a HUGE crescendo: the former ended suddenly. Endings came in two forms tonight – ones that haven’t finished when you think they have, and ones that finish before you realise. Both types caught me out (ignoramus!) and typified this band’s inventiveness and unpredictability. Second up was a more lyrical “debut” piece called Dust Red – was this inspired by Consett Ale, I wondered? This was followed by the enigmatic anagramatical Giant Mice – more funky than lyrical - and quirky (in spades!), starting as it did with Paul’s synthesised mouse intro and leading into enthusiastically received solos from him and from Mark. Andy’s anecdotal announcement of the next number, Nutmeg State, mentioned both Old Peculier (so last season) and Brandy-Milk Punch – hence my speculation about Consett Ale. No, I was NOT aware of the hallucinogenic properties of nutmeg, but this gave a flavour (so to speak)! In my note-pad I wrote the following: “MAD!!! Killer-bees!? Dali does jazz? ATTACK ALL INSTRUMENTS”! (And I was drinking water at the time!) Never Ever – announced by Andy as the “total opposite” - calmed things down with an almost classical feel (piano and bowed bass) until Mark’s guitar ramped it up to a rock-style crescendo before falling away again to a quiet (and for once expected) ending. It was the last “quiet” of the night as Fail in Wood (did I mention that the boys have a CD out by that name? Well worth buying, on tonight’s evidence!) was followed by the aforementioned Without Bones, the kamikaze pace of which left even an ignoramus impressed with the musicians’ brilliant timing. So my first encounter prompted the comment: “I’ve never heard anything like it! ” - as did tonight’s performance, but what a world of difference in meaning between those two utterances!
Jerry. (who also took the photos - ed.)

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