Women Jazz Singers, yes, we don’t have to go very far locally to hear really talented female singers such as Zoe Gilby (she’s Champion!.. geddit?); Ruth Lambert, who performs regularly with the Customs House Big Band; Lindsay Hannon, who teaches at the Sage, from whence emerged Gaby, Claire and lots of others- please don’t be offended if I haven’t mentioned you, people should get themselves along to the Jazz Cafe sessions on Sunday afternoons to hear some of these people, to say nothing about the exciting women instrumentalists who are on the scene, but they would deserve to have a separate piece written about them.
I think readers will have caught my drift by now. Yes, women singers have made a tremendous contribution to Jazz, and we all know the names of the Greats from the past, such as Ella and Billie. I’d just like to mention one of my personal favourites. This singer was already dead before I learned about her, when I attended Chris Yates Jazz Appreciation classes in Newcastle. I’m referring to Anita O’Day (1919-2006), who was born Anita Belle Colton, and packed lots into her lifetime, such as surviving heroin addiction, difficult personal relationships, and performances all over the world, including Ronnie Scott’s and, I'm told by our editor, Newcastle City Hall (see poster). She spent the Depression years as a marathon dancer, and learnt drumming. That must be how she acquired stamina and a great sense of rhythm.
Anita sang with the bands of Stan Kenton and Gene Krupa as well working with musicians such as Barney Kessel and the studio orchestras of Billy May and Buddy Bregman. She comfortably bridged the Big Band Swing and Bebop eras. She is not so much of a household name as other singers and I’m not sure why this is. She’s very much a Jazz singer, without much influence of Blues or Gospel. One of her best performances was at the Newport Jazz Festival of 1958, featured in the film ‘Jazz on a Summer’s Day’. She does Sweet Georgia Brown and Tea for Two. See it for yourself on YouTube or on DVD.
Ann Alex
For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Bebop Spoken There
Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)
The Things They Say!
This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)
Postage
18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57
Reviewers wanted
Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog.
Look forward to hearing from you. Lance
Tuesday, March 08, 2011
IT’S INTERNATIONAL WOMEN’S DAY TODAY
Women Jazz Singers, yes, we don’t have to go very far locally to hear really talented female singers such as Zoe Gilby (she’s Champion!.. geddit?); Ruth Lambert, who performs regularly with the Customs House Big Band; Lindsay Hannon, who teaches at the Sage, from whence emerged Gaby, Claire and lots of others- please don’t be offended if I haven’t mentioned you, people should get themselves along to the Jazz Cafe sessions on Sunday afternoons to hear some of these people, to say nothing about the exciting women instrumentalists who are on the scene, but they would deserve to have a separate piece written about them.
I think readers will have caught my drift by now. Yes, women singers have made a tremendous contribution to Jazz, and we all know the names of the Greats from the past, such as Ella and Billie. I’d just like to mention one of my personal favourites. This singer was already dead before I learned about her, when I attended Chris Yates Jazz Appreciation classes in Newcastle. I’m referring to Anita O’Day (1919-2006), who was born Anita Belle Colton, and packed lots into her lifetime, such as surviving heroin addiction, difficult personal relationships, and performances all over the world, including Ronnie Scott’s and, I'm told by our editor, Newcastle City Hall (see poster). She spent the Depression years as a marathon dancer, and learnt drumming. That must be how she acquired stamina and a great sense of rhythm.
Anita sang with the bands of Stan Kenton and Gene Krupa as well working with musicians such as Barney Kessel and the studio orchestras of Billy May and Buddy Bregman. She comfortably bridged the Big Band Swing and Bebop eras. She is not so much of a household name as other singers and I’m not sure why this is. She’s very much a Jazz singer, without much influence of Blues or Gospel. One of her best performances was at the Newport Jazz Festival of 1958, featured in the film ‘Jazz on a Summer’s Day’. She does Sweet Georgia Brown and Tea for Two. See it for yourself on YouTube or on DVD.
Ann Alex
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5 comments :
I wonder why it is that these days women jazz singers seem to outnumber the men by about a hundred to one?
Jazz seems to be much slower than other types of music at embracing equality. The average classical orchestra will have a far higher proportion of women than a big band or jazz group.
After 100 years of jazz, female instrumentalists are still very rare and I think that jazz musicians (and audiences) are responsible for that.
I enjoyed your piece on women jazz singers for Women’s Day.
Fran Hardcastle.
(LondonJazz/Basho Records)
A well written piece, thanks Ann
Liz
Thanks to Fran and Liz for the kind comments.
Lance, it may be because women tend to be associated with love songs more than men are.
Blue, the lack of women instrumentalists is the same as in rock music, but there are now lots of female instrumentalists in folk music. As for equality I feel very well treated as an audience member, and I've mainly been with women for my singing, and don't know what it's like to be a woman instrumentalist. I don't think I'd cut the mustard with my penny whistle, with either men or women!
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