Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 24: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. .

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.
Sat 19: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner: Nina Simone. Enrol at: learning@jazz.coop.
Sat 19: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, March 30, 2011

Zed-U @ Cluny 2. Tuesday March 29

Shabaka Hutchings (tenor saxophone, clarinet & electonics), Neil Charles (electric bass & electronics) & Tom Skinner (drums & electronics).
I rushed into The Cluny just in time for the start of the first set to find the place packed to the rafters. I quickly realised this couldn't possibly be a Schmazz gig. The Zed-U gig was in Cluny 2, the smaller satellite venue next door.
My arrival took the audience numbers above and beyond single figures - all things considered this was something of an achievement two days after the Gateshead Festival marathon.
Zed-U played with an undercurrent of dub reggae; Tom Skinner's constantly shifting patterns locked on to Neil Charles' hypnotic bass grooves. Shabaka Hutchings' saxophone and clarinet rode over the rock steady foundation producing occasional meditative sounds suggesting a Coltrane influence then it was all out biting tenor as the trio reached a crescendo before the sound dissipated into stillness.
The trio's sound was different to that of the Loop and F-ire Collectives. Bassist Charles, formerly of Empirical, was central to this welcome change of direction. Charles and Hutchings hail from Birmingham and were working in the same environment as Soweto Kinch before the bright lights of London beckoned. On the evidence of this Newcastle performance it was easy to understand why, at one point, Courtney Pine employed Hutchings. The Schmazz regulars lapped it up.
Russell.

3 comments :

Scott Fenner (on FB) said...

Another great gig I've missed that I had no idea about! I saw these supporting Ladyland in London in January, they were great. Would have loved have seen the Led Bib gig too but was busy and couldn't have gone even if I'd known about it. I've gotta start checking your site more often! Do you have a mailing list that has upcoming gigs?

Lance said...

I usually list gigs for the week ahead. A North-east jazz e-mailing service is available from
paulbream773@btinternet.com.

Roly said...

Hearing Russell's tale of the packed room I am reminded of a similar experience. The Clint Eastwwod film 'Bird' had just been released. With great anticipation we went to the local cinema complex first night, where there was a very long queue. I was impressed so many had come to see the film about the great man. Then came an announcement "will all those here to see 'A fish named Wanda' step this way please". You guessed it! Virtually everyone stepped that way, leaving only a paltry few waiting to see 'Bird'. Ah well - back down to earth with a bump.
Enjoyed the film.
Roly

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