Zed-U @ Cluny 2. Tuesday March 29

Shabaka Hutchings (tenor saxophone, clarinet & electonics), Neil Charles (electric bass & electronics) & Tom Skinner (drums & electronics).

I rushed into The Cluny just in time for the start of the first set to find the place packed to the rafters. I quickly realised this couldn't possibly be a Schmazz gig. The Zed-U gig was in Cluny 2, the smaller satellite venue next door.

My arrival took the audience numbers above and beyond single figures - all things considered this was something of an achievement two days after the Gateshead Festival marathon.

Zed-U played with an undercurrent of dub reggae; Tom Skinner's constantly shifting patterns locked on to Neil Charles' hypnotic bass grooves. Shabaka Hutchings' saxophone and clarinet rode over the rock steady foundation producing occasional meditative sounds suggesting a Coltrane influence then it was all out biting tenor as the trio reached a crescendo before the sound dissipated into stillness.

The trio's sound was different to that of the Loop and F-ire Collectives. Bassist Charles, formerly of Empirical, was central to this welcome change of direction. Charles and Hutchings hail from Birmingham and were working in the same environment as Soweto Kinch before the bright lights of London beckoned. On the evidence of this Newcastle performance it was easy to understand why, at one point, Courtney Pine employed Hutchings. The Schmazz regulars lapped it up.

Russell.