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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 26, 2009

More on Sonny Rollins at the Barbican.

(This comment, I decided is worthy of a seperate posting - Lance.)
We endorse everything said about the Mark Toomey Quartet at the Cherry Tree. A wonderful evening of jazz and a credit to the local jazz scene.
With reference to the Sonny Rollins Concert at the Barbican, which we and the family had the privilege of being there, it was the best jazz concert I have ever been to, for many reasons.
"The living embodiment of a great tradition" was Geoffrey Smith's description as he welcomed the band to the stage. How many musicians get a standing ovation before they actually get onto the stage, and at 79 years old give a performance with such enthusiasm and most of all, the creativity, was something to be seen (and heard of course)?
The fullness of his tone was all there and the band with him was first/world class. Bob Cranshaw on bass, Clifton Anderson on trombone, Bobby Broom on Guitar, a percussionist called Victor.Y.See Yuen, and a sensational drummer in Kobie Watkins; all having a ball and thoroughly enjoying backing the great Sonny Rollins.
Having said that, Sonny was very gracious and featured all of them throughout the concert, having the great respect for each other reciprocated, not allowing ego's to get in the way of what was great music.
Some of the tunes played were 'Someday I'll find you'', "They say that falling in love is wonderful", "St.Thomas" and of course "Don't stop the carnival", every tune being fully explored and no stone unturned (in improvisational terms), before Sonny would take it out.
He played one set lasting approximately 90 minutes finishing with the aforementioned 'Don't stop the Carnival' and again receiving his second standing ovation of the night lasting many minutes but returned only to give a wave to the standing adulating audiance.
Following that, you felt that the audience almost danced out of the Barbican with huge smiles on their faces with the haunting melody of 'Don't stop the Carnival' still ringing in their heads, knowing that they had all seen and witnessed one of the worlds greatest musicians still playing at a level beyond comprehension. Long may the 'Carnival' continue, and we hope Sonny Rollins continues to give the world so much pleasure listening to the sound of genius improvising tenor saxophone.
Ron Ainsborough.
(Photo courtesy of Derek Cogger).

3 comments :

The LondonJazz site said...

Here's my review- it was a great evening

http://londonjazz.blogspot.com/2009/11/review-sonny-rollins.html

rslaing said...

Great reviews and a pleasure to read about the enthusiastic experiences.....and although I wasn't there, I'm sure the whole repertoire was full of melodic, harmonic and rhythmic content - which really is what "music" is all about.

Unlike some of the claptrap that is bandied about as "jazz" these days.

creole2 said...

Sonny Rollins Roadshows.
Vol.1 was great, I've nearly caused a few traffic accidents blasting this out.January 2012 Jazz Journal has a review of Vol.2 just out (almost as good)but for those of us in straitened circs. during the long hard con/dem winter this new issue is immediately available on Spotify for nowt. It'll bring a tear to the throat and a lump to the eye. Go on traddies broaden your horizons!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance