Album review: Helena Debono & Charlie Bates - A Thousand Nights

When I say that there is room for improvement it has nothing to do with the music. Singer, band, soloists, arrangements are all excellent. No, my gripe is with the inside cover. The font size is so small you need 20-20 vision and perhaps some magnifying equipment from Jodrell Bank to read it.

However, now that I've got that off my chest I'll get down to the positives of which there is an abundance.

Both Helena and Charlie are alumni of NYJO and A Thousand Nights is a compelling collaboration between themselves, a big band packed with A-listers and a large orchestra, in a mix of standards and originals. 

I Could Have Danced All Night.  Band swinging like crazy with blistering alto from Marsh, trumpet by Walsh and all kicked along by Tomlinson. What a band! What a voice!

My Ideal. A beautiful take on the verse, sympathetic piano with the strings sawing away on the chorus. Cool Vice-Coles on trumpet (flugel?)

Honey. An original by the two leaders. Nice contemporary feel with some gutsy 'bone from Higham. Bass and voice gel with lots else going on behind.

A Thousand Nights. Another original from Bates & Debono. Muted trumpet from Walsh. Lyric and melody captivate. An arrangement worthy of Nelson. More piano from Charlie and an amazing vocal out-chorus from Helena.

Lullaby of Birdland. A strange arrangement with Davison growling like Cootie. In fact there is a Ducal feel to the chart, maybe a bit of Mingus, even Cab Calloway. I don't think it's quite what Shearing had in mind when he composed the piece but I'm not complaining!

I Swear. Another original. A lovely relaxed feel by both voice and piano if there's ever such a thing as the Contemporary British Songbook then this one's a frontrunner.

When. The gems keep rolling from the dynamic duo. A suggestion of big band rock with Fitch's opening blast, Blevins' sax solo and Tomlinson's offbeat driving it along.

Old Country. Nat Adderley and Curtis Lewis got together for this one and needless to say we had a trumpet solo - this time by Gorodi. Helena adds her voice to the sax chorus (I think).

The Nearness of You. Tender vocal over an orchestral accompaniment and some unexpected intervals by Helena that are spot-on. 

Think I'll be OK. I think so too! Laid back tenor from Maddock, this band is packed with soloists. Voice goes into a funkier mood.

Guess I'll Hang my Tears Out to Dry. The Sinatra/Riddle recording may be the definitive version but this one loses nothing by comparision - there's room for both.

A beautiful album, shame about the booklet. Maybe I should have gone to Specsavers first. Lance

Release date Oct. 11, 2024

Helena Debono (vocals, composer, producer); Charlie Bates (piano, composer, arranger, producer, orchestral conductor); Tom Walsh, James Davison, Luke Vice-Coles, Miguel Gorodi (trumpets); Tom Dunnett, Harry Maund*, Daniel Higham, Yusuf Norcin* (trombones); Simon Marsh, Tom Smith, Graeme Blevins, Tom Barford, Chris Maddock, Claire Shaw (reeds); Nick Fitch (guitar); Jack Tustin (bass); Luke Tomlinson (drums); Reuben Fowler (conductor) + circa 35 orchestral musicians.

* Not sure if I got the spelling right for their surnames