Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 21, 2023

Zoë Gilby @ the Lit & Phil - April 21

Zoë Gilby (voice); Mark Williams (guitar); Ken Marley (bass); John Bradford (drums).

What do American trumpet player Tom Harrell and the great British novelist, the late Patrick Hamilton have in common?

Answer: They've both had their work lyricised by Zoë Gilby.

In the case of the latter, arguably the greatest British novelist/playwright, Zoë put words to Andy Champion's music both of which were inspired by Hamilton's novel The Midnight Bell.

The words convey the atmosphere of a rundown London pub back in the late 1920s/early '30s. Zoë's words bring to life the sad story of the losers whose life centres around the hours between opening and closing time. They could be equally applied today.

The Midnight Bell forms part of a trilogy that came together as Twenty Thousand Streets Under the Sky. It was dramatised on BBC in 2005 and, upon reflection,  Zoë's words would have been perfect over the soundtrack. She suggested to the audience that it was worth checking out - surely it must be somewhere on the shelves of the Lit and Phil.

The Tom Harrell connection can be heard in full on Zoë's album Aurora - reviewed HERE with Noel Dennis on trumpet. Again our gal puts words to the tunes and often changes the titles. All done with the thumbs-up approval of Tom Harrell.

This afternoon, the once again sold-out Lit and Phil audience were given an enjoyable afternoon of jazz.

Zoë was in good voice, her distinctive annunciation of a lyric and her unique sense of vocalese/scat sets her apart from her contemporaries.

Mark Williams, as cool and laid back as ever, John Bradford who seems to have been on every gig I've ever been to, apart from the ones when he wasn't, and Ken Marley on bass provided sound support.

Depping for Andy Champion is like asking someone to step in at the last moment to square up to Tyson Fury but Ken Marley was a knockout and Zoë's hubby may have to audition for her next gig (joke).

Good gig. Now let me read Midnight Bell again whilst the song/novel is in my mind! Lance

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