Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 12, 2023

Me Lost Me + Ceitidh Mac + Heather Ferrier @ Bobiks - April 8

(© Ken Drew)
The second day of this 2-day Easter weekender, focusing on local musicians/bands, was also sold out. The triple-bill was eagerly anticipated, not least because of its bias towards folk/electronics rather than jazz-infused performance. So it is rather unusual for Jazz North East to present a succession of performances comprising primarily non-jazz rather than provide a contrast of musical styles/genres between 2 or 3 performers on the same bill. But the common factor here is that they all share the drive and commitment to forge new music from a mix of styles, producing some of the best of our region's contemporary alt-folk scene (in its widest sense) on offer at the moment.  They each share a driven desire to probe and extend beyond the more expected genre bounds, and each provide an element of excitement and surprise in what they do, and develop their ideas with each performance.

The headliner was Me Lost Me a.k.a. Jayne Dent accompanied by John Pope on acoustic bass and Faye MacCalman on clarinet. They have a forthcoming album (releasing in July) so this was a live  preview of RPG – an album of deliberate sonic design where electronic experiments are supplemented with infusions of improv, folk, choirs and ambient, and plenty more besides. For  example the song Eye Witness is a very rhythmic piece which sounds (to me) very contemporary yet  with a more traditional vocals feel. If it were stripped back and unplugged it could become an Unthanks track but Me Lost Me turn it into something very contemporary. Dent’s voice is very much central to each piece, often supplemented with added vocal effects, but always with a driving rhythm.

 

(© Ken Drew)
Prior to the trio, was Ceitidh Mac who performed a duo set. Previously she has been an Artist in Residence at Sage Gateshead, and more recently has just returned from a tour in Italy (20 concerts over 24 days). She looked relaxed and composed as ever, and ready to enjoy the evening switching between guitar and cello during the set, sharing the stage with regular collaborator Will Hammond on vibraphone who adds a pleasing backdrop to the acoustic mix. With a combination of improvisation and set pieces, playing original material as well as a creative mixture of traditional and folk music, they produce a distinctive combination of sounds, constantly drawing in their audience.

 

(© Ken Drew)
Launching the evening was a solo performer -  Heather Ferrier on accordion, most likely a first for Jazz North East but no matter, it’s what you achieve with your skills, ideas and the instrument that counts. Ferrier took part in a previous Summer Studios (run by Sage Gateshead) and plays in a variety of collaborations including Superfolkus led by Northumbrian piper and fiddler Kathryn Tickell, and has also depped in  Kathryn’s band. As a solo performer Ferrier seems quite reserved, but once the music starts she’s a masterful player, with some self-penned tunes interspersed with traditional or hints of traditional folk music. I found it difficult to listen without being reminded of Tickell’s Northumbrian influences, but what a joy to see and hear the accordion played so well and mostly with speedy but always accurate fingers !   

Overall, with the programming of solo, then duo then trio adding to the overall impact of the music, this sell-out evening of contemporary alt-folk (+ more besides) was well received by the enthusiastic audience, the evening’s music and musicians being well placed for the holiday weekend. Ken Drew

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