Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, April 28, 2023

Album review: Sharp Little Bones with Tony Kofi

Tony Kofi (alto sax); Simon Paterson (basses); Paul Deats (keyboards); Andrew Wood (drums). 

(Press release) The core trio of Sharp Little Bones are joined by MOBO-nominated, multi-BBC Jazz and Parliamentary Jazz Awards winner Tony Kofi. Together, they perform brand-new compositions that are tight, energetic, catchy, and melodic. Their sound has fresh, contemporary appeal: live acoustic forces rooted in bebop and blues, embellished with tasteful electronics and warm, analogue synth textures.

Sharp Little Bones (Volumes I & II) was recorded high on the buzz from their sell-out shows and during the hottest two days of summer 2022 at Metronome, Nottingham. The double album of entirely new, exciting music captures the energy, virtuosity, and soul of the house trio of Peggy's Skylight (a multi-award-winning jazz venue). Throughout the album, the compositions reach deep within and far outside the jazz canon. There are catchy, energetic tracks, beautiful bass-led melodies, spacious ballads, spiritual and expansive atmospheres, hard swingers, and groove-led pieces full of vibe. Within well-crafted, melodic writing and tight, rhythmical arrangements there’s freedom for expressive solos and group-led improvisation.

Simon Paterson explains: We hunkered down and hit the ground, recording a double album in just nine hours. We were having such a blast, really listening to, reacting to, inspiring each other, and having meaningful musical conversations. Everything sounded so great in the studio, we just let it rip, track after track, so what you're hearing is all live and mostly single takes. I'm super excited to get this album out there." Simon continues, sharing his background as a musician: “I've been a professional electric and upright bassist for some years but didn't follow the traditional path into jazz performance. As an undergraduate, I majored in classical music composition before studying sound engineering and production. I've written music for TV, adverts, short films, plays, cartoons, and songs for many years. I love melody, and I knew the music I wanted to write and perform had to be melodic, accessible, and soulful. After all, these were the things that attracted me to jazz in the first place. I'm also a music technologist, so I'm interested in exploring ways to use technology to enhance musical performances and connect to audiences in subtle but innovative ways.

 

We love playing standards, and it's a privilege to help keep that tradition alive. Still, to be playing to audiences who really enjoy the experience of hearing new music has been a dream and an inspiration. I am indebted to Paul Deats (piano, electric piano and synth) and Andrew Wood (drums), with whom I've played for years. We're the house band at Peggy's Skylight in Nottingham so we've played with some amazing musicians over the years. It was a no-brainer hooking up with these guys for this project. We play together so intuitively and arranging these new pieces together has been such a pleasure. I first played with Tony Kofi at a jam in Nottingham, just as I was starting out as a bassist. I don't remember what we played, and I dread to think about where my jazz chops were at that time. Still, I'll never forget the vibe: it was palpable, and I've been chasing that feeling ever since. I put on a concert for Black History Month in 2020, which gave me an opportunity to work with Tony again. It was so wonderful to share a stage with him, to witness the spirit he embodies and feel the energy he consistently brings. I dared to ask him if he'd be a part of my new band and was totally overjoyed when he agreed.

 

The sum of all parts makes Sharp Little Bones’ prolific recording a must have release and an excellent addition to this years’ musical canon.


Release date : May 12, Ubuntu Music.

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