Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, July 11, 2022

Trypl @ Wigan Jazz Festial - July 9

Ryan Quigley (trumpet); Graeme Blevins (tenor sax); Trevor Mires (trombone); Alan Benzie (piano); Mario Caribé (bass); Guy Rickerby (drums); Eric Alfonso (percussion) 

Saturday evening at this year's Wigan Jazz Festival featured a concert performance by Trypl. As the frontline horns walked out onto stage one change to the line-up was immediately apparent. In the absence of saxophonist Paul Booth, Ryan Quigley and Trevor Mires were joined by Graeme Blevins. In addition, dep drummer Guy Rickerby was charged with sight-reading (to him) wholly unfamiliar parts. 

Trumpeter Quigley and trombonist Trevor Mires shared announcing duties, their band mates content to let their musical talents do the talking for them. Opening with BoJo (nothing to do with a discredited individual soon to depart the national stage), Trypl's Latin-infused set would generate considerable power and much excitement. 

The horns' various compositions, arrangements and/or solos - Nodge (Mires), Pasado Olvidado (Quigley) - combined insistent percussive rhythms with bebop chops. A Paul Booth lockdown composition - Trypl Trouble - put Graeme Blevins centre stage, its absent composer would have been more than impressed with what the London-based Aussie made of it. And, to top it off, Quigley made a tremendous, powerful solo contribution. 

Award-winning pianist Alan Benzie took full advantage of the festival Steinway at his disposal as bassist Mario Caribé and congas man Erik Alfonso cruised through the charts.  

The Wigan crowd loved the band and, here's commitment for you, to make this festival gig, Quigley had undertaken a nine hour journey from the Isle of Sky, Trevor Mires flew in from the North Sea Jazz Festival (working with Gregory Porter) and the depping Blevins caught a flight from Madrid having been on stage the previous evening with Jamie Cullum! Russell

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