Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, July 17, 2022

Album Review: Sidney Jacobs - If I Were Your Woman

Sidney Jacobs (vocals/keys/perc); Gene Coye (drums); Solomon Dorsey (elec/acoustic bass); Josh Johnson (alto sax/flute); Chris Lawrence (trumpet); Josh Nelson (piano/keys); Greg Poree (acoustic guitar); Nolan Shaheed (trumpet/flugelhorn); Joakim Toftgard (trombone); Rickey Woodard (tenor sax); Munyungo Jackson (perc); Ron Feuer (keys)

First I made an appointment with the optician so that I could read the very small print on the purple and blue CD cardboard cover. I jest of course, but like many CD covers nowadays, it caused me eye strain. After listening to the album I decided that it should have been reviewed by Steve T as it is much closer to soul music than jazz, but needs must. Sidney Jacobs has a rich baritone voice and puts the songs across well, but I'm no expert on the soul style which isn't really to my taste.

The more jazz-like elements of the album were in the solos from keyboards, trumpet, trombone and sax on various tracks.

Full marks to Mr Jacobs for trying something new, which was to sing songs usually done by women or songs which are identified with women. I'm not sure that the aim was fulfilled, especially in a song such as I Feel Pretty, but whatever, we get some superb singing, with lots of backing singers as well. The form of the album is inventive too, as songs are interspersed with short instrumental passages, soundscapes such as the opening We All, multi-layered vocals and instruments which invoke memories that Jacobs recalled from
hearing the Islamic call to prayer in Thailand. The themes of this opening music re-appear throughout the album.

So we get six soundscapes which are original plus standards, pop and R&B songs. I'll simply describe the songs by quoting from the information supplied: 'the music has a syncopated poly-rhythmic feel underlying richly constructed harmonies'.

This is Jacobs’ second album. Our singer grew up in a musical household in Los Angeles, sang from being young and began writing music aged 14. He studied classical vocals at university, then worked as a psychologist, before taking up music again from 2018, when he sang with the chart-topping group The 5th Dimension, who are a band which crosses musical boundaries. He also pursues a solo career.

The album is available on all digital platforms. LINK Ann Alex

We All; On a Clear Day; Facts; Weave The Tale; Stay Up; Like a Star; Know; I Feel Pretty; I'm Coming Back; Until You Come Back To Me; Human Typography; Been So Long; Light; A Little Bit; If I Were Your Woman; Conversations With Mom 

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