Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, July 31, 2022

Emma Smith: Take on Mingus @ The Jazz Bar, Edinburgh - July 24

Emma Smith (double bass); Alina Bzhezhinska (harp); Helena Kay (tenor sax); Davide L Rinaldi (drums); Annabel Kershaw (piano); Niamh Molloy (cello)

Emma Smith’s ‘dream ensemble’ completely captivated and inspired a packed Edinburgh Jazz Bar on Sunday night. Commissioned by EJBF, Smith gathered an outstanding group of musicians who spent two days in two rehearsal rooms exploring the writing and music of Charles Mingus.


Their task – to place Mingus’ work in a modern context. Collaborating in various formations (from duo to sextet), exploring eight themes identified in his words, and using fragments taken from Mingus tunes, they produced a programme that captured the essence of Mingus while firmly asserting their own ’take’ on the contemporary relevance of his work.


Take on Mingus was a daring celebration, hugely varied in form, style and pace and executed with a temerity, freedom, and raw energy that infected and exhilarated its audience. The connections between musicians and listeners were forged, through classical pieces played with an open and moving vulnerability, to the raucous pain and fury demanding to be heard in Goodbye Pork Pie Hat, through music that mimicked and mocked the ridiculous idiocy of Faubus to the persistent spirit of defiance and freedom celebrated in the Haitian Fight Song


It was a connection strengthened by the inclusion of Mingus quotes and stories  -  the racism and sexism that continues to pervade and deny opportunities, the malice and ignorance of populist politicians, the personal and collective impact of loss, the sheer joy of collaboration, inclusion and unity. Take on Mingus was a wonderful testament to the enduring capacity of music to inform, reaffirm, comfort, amuse, heal, challenge, incite, inspire, liberate, unite and empower. It was never more relevant.


For further information and future dates for ‘Take on Mingus’ visit http://www.emmasmithbass.com/

 

Harpist Alina Bzhezhinska spoke movingly of how music helps to express her pain and anger over the atrocity being inflicted on her Ukranian homeland. Visit  HERE to donate to her charity. Kay Collin

 

Canon; Moanin'; Oh Lord Don’t Let Them Drop That Atomic Bomb on Me; Goodbye Pork Pie Hat; Diane (Alice’s Wonderland); Fables of Faubus; Solo Dancer; Haitian Fight Song; Better Git it in Your Soul; Hora Decubitus (encore)

No comments :

Blog Archive