Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Sunday, May 01, 2022

Darlington Jazz Festival: Durham Alumni Big Band + Durham Music Service Big Band @ Central Hall - April 29

It was three years ago (2019) when the Durham Alumni Big Band last featured at a Darlington Jazz Festival. The pandemic-enforced cancellation of the event two years running seemed to galvanise the 2022 audience, turning out in good number, determined to enjoy an evening of big band jazz. As the Alumni took to the stage, scanning the sections, it appeared almost all of the regular faces were occupying their usual chairs. The first half of the evening's concert would feature the band's intended pre-pandemic salute to VE Day 75. The second set would broaden the repertoire.

Flying Home. Imagine the Goodman-Hampton chart being played on VE Day. It captured the mood, the very essence of the occasion. It was as if the Alumni had never been away, the evening's first feature solo courtesy of tenor man Harry Keeble. A Matt Roberts' arrangement of Harry Warren's I Wish I Knew, Stan Kenton's arrangement of A Foggy Day in London Town, the boys and girls of the Durham Alumni Big Band were Back in the Swing!      
             
Second set, more nostalgia and something slightly more up to date. Sammy Nestico's Feelin' Free (trumpets in unison), an Al Wood arrangement of Bernie's Tune (Mr Wood was in the audience), Big Dipper from the Thad Jones-Mel Lewis pad 1972 (perilously modern!) featured, first pianist Dean Stockdale, followed by Keeble blowing yet more assured tenor. Basie's version of Bye Bye Blackbird, Mark Armstrong (NYJO's supremo) supplied an arrangement of A Nightingale Sang in Berkeley Square (Terry O'Hern and Stevie McGarvie soloing). Swing Low, Sweet Chariot as played by the '49 USAAF Miller outfit heard the Alumni's trombones to great effect. And as the evening was drawing to a close Doc Severinsen's take on In the Mood found Keeble and McGarvie engaging in a friendly joust. Gershwin? I Got Plenty o' Nuttin'. Make no mistake, Durham Alumni Big Band is Back in the Swing.   

Durham Alumni Big Band: Shaune Eland (MD), Ian Robinson, Jonny Dunn, Billy Bradshaw, Andrew Meadowcroft (trumpets); Andrew Kirtley, Terry O'Hern, ?, ?, Alastair White (trombones); Harry Keeble (tenor sax); Eoghann Furness (tenor sax); Stevie McGarvie (alto sax, soprano sax); Kirsty Dunn (alto sax); Danielle Drew (baritone sax); Shaun Henderson (guitar); Dean Stockdale (piano); Amy Baker (bass); Stephen Fletcher (drums)

Earlier, Durham Music Service Big Band opened the programme with a short but fast paced set. MDs Amy Leggett and Billy Bradshaw put their young charges through their paces. Eoghann Furness (tenor sax) and alto saxophonist Heather Kim set the standard with fine solos on Neal Hefti's Sunday Morning. Stevie Wonder's Living for the City powered along and a set of some thirty five minutes went out on a high with When Sunny Gets Blue. Russell

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