Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Stephen Joshua Sondheim.
Thu 19: FILM: Köln 75 @ Forum Cinema, Hexham. 7:30pm. £10.00., £7.00., £3.00. Dir. Ido Fluk. Fictional account of Keith Jarrett’s 1975 Köln concert. A Tyne Valley Film Festival preview screening.
Thu 19: Ransom Van @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, May 03, 2022

Heidi Martin - Gifts & Sacrifices

(Press release)

Spring is here with Gifts & Sacrifices, the new album from American vocalist and composer Heidi Martin, recorded at NYC’s GSI Studio last June. Born in Washington DC, Heidi honed her craft under the tutelage of elder Grady Tate while absorbing the city’s additional jazz royalty:  Shirley Horn, Reuben Brown, and Steve Novosel at DC’s own historic venue ‘One Step Down’.

 

Moving to New York City in the late 90’s, Heidi quickly established herself on the East Coast scene. This fertile period allowed her to work with an eclectic and virtuosic role call: Paul Bollenback, George Colligan, Dana Murray, Gregoire Maret, Ameen Saleem, Federico Gonzales Pena, Michael Bowie, Kris Funn, George Burton, Tarus Mateen, Russell Gunn, Dwayne Burno, and Gene and Kim Lake. She played Birdland, the Knitting Factory, CBGBs when she wasn’t getting back to DC for Bohemian Caverns, Blues Alley, and the Kennedy Center’s Millennium Stage.

 

Heidi cultivated her expertise as a composer and band-leader, eventually releasing her debut album ‘Hide’. All About Jazz only had this to say about it: “a biopic of the 21st Century American South: the sticky sensuality and dusty prejudice that endures, never changing. Musically, Hide is the same, but sparingly so -- Muscle Shoals and Memphis distilled to the pure essence … “a vehicle for lyrics to manifest in the aural sea of forgiveness”. Co-Produced with Dana Murray, HIDE was also a vehicle for her to assemble a unique cast of musicians and friends including Eric Revis, Gregoire Maret, James Hurt, Kahlil Kwame Bell, Derek and Vincent Gardner, Sherman Irby, and Jamal Brown.

 

The success of HIDE meant national and international performances at Winter JazzFest, DC Jazz Festival, Atlanta’s Black Arts Fest, Pori Jazz Festival (Finland), The Kenzi Sky Bar, and Cadet Rouge (Casablanca, Morocco), among others. Heidi has also shared the stage as a featured vocalist with luminaries such as Nicholas Payton, Tim Warfield, George Burton, and Russell Gunn, as guest artist on recordings with Russell Gunn, Dana Murray, Steve Williams, Harold Little and Pause, Play, Record, as well as significant collaborations in co-writing and co- production with producer and keyboard innovator Raymond Angry, producer Russell Gunn, vocalist-composer Alison Crockett, Moroccan guitarist Hamza Badil, and producer and drummer Dana Murray.

 

Fast forward to this new gem, Gifts & Sacrifices.  Speaking about her new album, Heidi says, “Gifts & Sacrifices asks questions about the under examined social issues in humanity and within ourselves, and with our lovers. I share my best poetic guess to why things have unraveled in the ways I
perceive they have…” In fact, Heidi’s lyrics are more than a guess; they have rung true way before half of America decided to get woke for a few innings.

 

Heidi conjures “message” before her singing, form, phrasing, tonal and harmonic intuition.  Her voice and compositions instigate and settle … no categories or comparisons please.  Jazz and creative music, singing and song writing – all of it is anchored by the continuity and good choices she fosters with her collaborators.

 

The album is an enthralling and heart-warming listen, destined to be one of this year’s stand out releases in an era of post-pandemic optimism.


Available now from usual suspects.

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