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Bebop Spoken There

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Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 22: Olly Styles (saxophone): Stage 2 recital @ The Music Sudios, Newcastle University. 10:00am. Free, all welcome.
Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Thursday, May 05, 2022

Cheltenham Jazz Festival: Laura Jurd @ Parabola Arts Centre - May 1

It seems like years since I last saw Laura Jurd and I couldn’t remember how many times I’ve seen her. I know the first time was at the Scarborough Jazz Festival and Mrs T reminded me of one occasion I’d forgotten about. Nor had I done my homework properly and wasn’t expecting the eleven piece group I’d seen at Sage Gateshead a few years back. Interesting to see if the intervening years had affected my appreciation of this generation of British jazz.

Jurd was playing cornet on this occasion, with her regular quartet of Elliot Galvin on piano, Conor Chaplin on bass guitar and Corrie Dick on drums, with additional trombone and euphonium, the ubiquitous Rob Luft on guitar and the Ligeti String Quartet. Jurd is a regular member of the Electric Ladyland Big Band but this was obviously too close in the schedule for her to do both.

The set included compositions from Jurd, Galvin, Dick and Norwegian artists she’d collaborated with in the past, beginning with her own Stepping Out from the album Stepping Jumping In.

 

When Tony Dudley-Evans introduced the band he highlighted the contrast between this set, based on composition, and the previous set by Paul Dunmall based on improvisation, and I remembered a comment on one of the Charles Mingus documentaries that improvisation is a form of composition. I was immediately struck by the use of light and shade in the juxtaposition of quieter moments, with perhaps two or three instruments, and louder moments where the whole band were blowing, which was common to both bands. Also how the different elements of each band could pair different instruments to create more variety, clearly with greater opportunity for this in the larger band.

Jurd’s sound and technique is no less fantastic on cornet and Luft is never less than impressive, but the whole band demonstrated exemplary musicianship, blending the disparate sections seamlessly.  

 

Our busy schedule meant we came out before the end for a quick drink from the bar, essentially to get a couple of glasses for the bottle of prosecco we’d successfully stashed, but who knew – after all these years - the draught lager and cider would be so good, if – less surprisingly – so expensive. Also a chance to check the site out, reduced in size since the pandemic, with food stall prices inflated from expensive to silly, the CD store a no-show, presumably a result of  the rise of streaming, the demonisation of CD and the damp squib of a vinyls revival. Most alarming of all was the absence of a programme, an essential tool for the hapless reviewer, which wasn’t a popular move amongst festival-goers or volunteers either. Steve T     

1 comment :

Steve T said...

I've just noticed I've put Conor Chaplin down for bass guitar on this gig but he was playing upright and it was the following gig he played bass guitar. Sorry Conor.

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