Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Monday, May 30, 2022

Cedric Burnside @ The Cluny - May 29

Cedric Burnside (vocals, guitars); Artemas LeSueur (drums)

Cedric Burnside first appeared in Newcastle in February 2019, since when the world has changed somewhat with lives being put on hold, waiting out an unimagined pandemic. Now, post-lockdown, if not post-pandemic, Burnside, born in Tennessee, raised in Mississippi, is back on the road touring his latest album, I Be Trying. The Cluny gave Burnside and award-winning drummer Artemas LeSueur a warm welcome, Burnside beginning the set with several fretless six-string acoustic guitar/vocal numbers, in due course he would be joined on stage by his fellow American.

The world can be so cold could be words written about the global pandemic, whatever, the cut from Burnside's Grammy-winning album I Be Trying opened the set. Robust finger style guitar playing - Burnside must have hands of steel! - allied to no nonsense Mississippi hill country vocals reverberated from the stage, the largely standing audience into it from the off. On his previous visit to Newcastle tracks from Burnside's Benton County Relic album featured in the set and did so again this evening, Hard to Stay Cool one of them.  

Four or five numbers in, Burnside stopped suddenly, saying he couldn't find the right chord on his fretless. Rather than continue, he changed to the first of two electric guitars he had with him, in the process, introducing drummer Artemas LeSueur. From the age of ten LeSueur played drums in the Tabernacle of Prayer Church, Holly Springs, Mississippi. The recipient of an award bestowed upon him by the Clarksdale Drummers Association, LeSueur quickly demonstrated his chops, no mere timekeeper is our Mississippian!

Burnside and LeSueur knew the late Junior Kimbrough and in one of several personal anecdotes, Burnside recalled the much-missed blues guitarist (Burnside's father, drummer Calvin Jackson worked and recorded with Kimbrough), his  easy rapport with the Newcastle audience no doubt winning him many more fans. Love is the Key and many more 'front porch' hill country numbers were delivered in searing electric blues guitar style; rhythmic, pulsating, irregular meter, stylistically a tip of the hat to many of the long gone giants of the music. 

Cedric Burnside's British tour continues this evening (Monday 30) in Glasgow, Tuesday in Manchester, and on Thursday (June 2) Burnside and LeSueur can be heard at Ronnie Scott's. Russell                                    
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