Those of us who saw this trio play at the Lit & Phil last year as part of the Newcastle Festival of Jazz & Improvised Music have a problem with Fergus McCreadie. That too short set was jaw on the floor outstanding and anything that comes after cannot hope to compete. The concert was not too long after the news broke that Keith Jarrett had had to retire from playing and those of us inclined towards excess and hyperbole started to wonder if the seat at the top table could be filled by McCreadie himself. Surely not, we wondered. Although …
Forest Floor is the trio’s third album, after Turas which was self-released in 2018 and last year’s Cairn (also on Edition). Like Cairn, Forest Floor shows its Caledonian roots.
Law Hill opens the album with thunder and bluster, piano trills exploding all over and not a moment's silence left unfilled.
The Unfurrowed Field, which
follows carries echoes of Scottish country dancing, in which some of us were
obliged to partake in junior school and the memories linger. Bowden’s bass is
one of the highlights here.
Morning Moon is even more delicate and you have to lean into it to hear all of the softly rolling drums, the heartbeat bass and the piano diving and swooping, more like the evening swallow than a bird of the morning.
Landslide is a much more tightly entwined, four on the floor trio
piece with a firm left hand motif on the piano as the foundation for extended
runs over a forceful, driving performance from Bowden and Stephenson.
The centrepiece of the album is The Ridge, which follows the title track. A slow, wistful opening builds as McCreadie soars over Stephenson’s solid driving on the drums. Whilst McCreadie is undoubtedly the leader, The Ridge is a full trio performance in all senses.
The closer, Glade,
is a lullaby in all but name, beautiful and calming after all that has gone
before. The line has been drawn in the sand for album of the year nominations.
This trio are setting incredibly high standards both live and in the studio, to the extent that there are very few contemporaries to match them.
Including them in lists alongside Esbjorn Svensson and Keith Jarrett is not
unreasonable. Whether McCreadie expands the group to include other instruments
or if he writes for a much larger ensemble it will be important to this
listener that his personal ‘voice’ on the piano is not lost.
The album is available from all the usual outlets, including
Bandcamp
and Edition Records at their store site or on Fergus’ own website.
The Trio are playing at the Witham in Barnard Castle on May 27. Dave Sayer
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