Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, March 22, 2022

Album Review: Cleveland Watkiss – The Great Jamaican Songbook Vol. 1

Cleveland Watkiss (lead vocals, backing vocals, synth, arrangements); Orphy Robinson (keys, vibes); Phil Ramocon (keys); Alan Nolan Weekes (guitars); Delroy Murray (bass); Carl Robinson (drums); Ava Joseph (backing vocals, ad libs, 1,2,5,6) + horn section (all tracks except 3, 5) Ray Carless (tenor sax); Byron Wallen (trumpet); James Wade-Sired (trombone)

This album is part of an Arts Council funded project concerning Jamaican music and Volume 1 suggests there is more to come, which will be very welcome if this CD is anything to go by. 

I'm not really sure if the music is appropriate for a jazz blog as the main 'feel' of the music is the entrancing 12, 12 12 of the ska beat from drum and bass, rather than the 1234 swing of jazz. However Watkiss is a co-founder of the Jazz Warriors and his musical credentials are wide, including pop, reggae and funk as well as enumerable mentions in these pages including guest appearances with Sheila Jordan at Sage Gateshead in 2009. And there are many jazz-like elements included in the music, such as short instrumental solos, and what sounds like improvised singing over fascinating instrumentation.

The songs were not familiar to me, but they apparently show the origins and development of Jamaican music and culture, concerning the life and times of the island's most inspirational figures. I would have loved more guidance about the meanings behind the lyrics. Many were love songs such as If I Don't Have You; Curly Locks is an amusing song about lovers who have different hairstyles, curly and dreadlocks; Night Nurse is a rather naughty saucy song asking the nurse's help, with the trombone sounding sexy, then playing a laughing sort of tone.

The final track, Red, Gold & Green, is a powerful song which appears to be celebrating Jamaica and the song is rounded off with the horns moving off into the Caribbean sunset. I'm not familiar with the names of the songwriters, Gregory Isaacs, Bobby Melody, Delroy Wilson and others. The instrumentation is skilled, all played over the ska/reggae beat, and I especially enjoyed the lively horns. The musicians assembled by Watkiss for this album are all celebrated UK jazz, pop, reggae and funk legends, such as multi-instrumentalist Orphy Robinson MBE, revered trumpeter Byron Wallen  (recently at Gosforth Civic Theatre) and Jamaican saxophonist Ray Carless.

Cleveland Watkiss MBE is a winner of the 2021 Ivors Composer Award for Innovation. His impact and legacy covers a broad spectrum of musical genres and he performs regularly at leading venues in the UK and internationally. He is a drum and bass vocalist and MC who has residencies at some of the world's biggest and best dance music events. He has worked with many other musical organisations, including the Royal Philharmonic Orchestra, the Dusseldorf Symphony Orchestra, the Northern Sinfonia, Wynton Marsalis, Bob Dylan, Stevie Wonder and many more. There is an important UK tour associated with this CD which begins on March 26 this year with the album launch at Canary Wharf, but unfortunately there are no events up north. See www.clevelandwatkiss.co.uk.

If I Don't Have You; Curly Locks; Joy In The Morning; What Is Man; Cool Operator; Babylon Too Rough; Only A Smile; Humanity; Night Nurse; Red, Gold & Green

Ann Alex

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