Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, March 08, 2022

International Women's Day – We Should All Be Celebrating!

I became interested in jazz relatively late in life, so perhaps that makes me more aware of the position of women in jazz. I mainly get to write about singers on BSH but this time I'm considering our local women instrumentalists, and what an inventive, talented, hard-working set of people! The likes of sax players such as Sue Ferris, also a helpful tutor; Fiona Finden with her curved soprano sax, Faye Thompson who began her playing with Jambone, Faye McCalman who ventures into free jazz with the nationally acclaimed Archipelago, Rachel Richman, a stalwart of many jam sessions and Lauren Ainsborough who occasionally jams on keyboards.

I'm not done yet! What about Emma Fisk with her gypsy jazz violin, and Abbie Finn (pictured), playing drums, once considered as an instrument that only men had the strength and energy to play, and Katy Trigger on bass, so empathetic to work with? Then there's singer and multi-instrumentalist Jude Murphy. I could go on, and remember, that's without mentioning the national and international scene.

So there's more than enough to celebrate on this day. But I wonder about the special difficulties that women in jazz face?  I can't speak for the women mentioned as I've never discussed the matter with them, but I notice that the Globe runs special women only workshops monthly. I attended these before lockdown, very enjoyable and useful they were too. It is said that women are more accommodating with each other and less inclined to rivalry than men. That rule applied at the Globe sessions.

Many of the reviews of jam sessions on BSH remark that 'the sax players took no prisoners' a phrase which makes me cringe. Is jazz a war? There's a lot of give and take at an effective jam session and each player should get their turn. As long as communication is good and everyone is very sure of when their turn is.

As for performing gigs, some questions occur to me. Is it easier to perform with someone who is your romantic partner? Can you keep musical disagreements out of your love life? What about being in a band with a son or daughter? Can you act the heavy parent? It must be tempting. 

It goes without saying that there is no place for discrimination in the jazz world, in all the usual categories. I'd be interested to read on BSH about what others think about the situation of women jazz instrumentalists. Ann Alex

Ps: My apologies to anyone that I’ve unintentionally left out.

3 comments :

Unknown said...

Since I wrote this piece I've been thinking about this subject on and off all day. Consider the following:
If a woman plays an instrument that is blown, does she put on lipstick?
Can you still play drums if you are pregnant?

How does a woman react if a reviewer comments on her dress but doesn't comment on how the men are dressed?
Is a woman's playing affected by the time of the month? It is said that women get mad once a month but men get mad for the whole month!

What if it's all men at a jam session? Do you even notice?

Jude Murphy (on F/b) said...

You could come and see the Wild Women of Wylam - all-female sextet - at one of our next gigs

Ann Alex said...

Thanks Jude, I'll watch for that gig being listed on BSH

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