Nubya Garcia (tenor sax); Joe Armon-Jones (piano, Fender Rhodes); Daniel Casimir (double bass); Sam Jones (drums); Sheila Maurice-Grey (trumpet, flugel); Vula Malinga, Michelle Ndegwa, Ladonna Young (backing vocals)
Sir Henry Wood gazed down from above in wonder. Below him the Promenaders too gazed in wonder - and so they should - this was something special. We'd already had something special this afternoon at the Lit & Phil and tonight was also special albeit in a totally different way.
The jazz mags have been effusive in their praise of Nubya and her name is not unknown in some of our daily 'quality papers'. Even the New York Times rate her so the portents were ominous - had she been over-hyped?
What we saw is what we got. A tenor sax player who can play and play good - indeed very very good - Nubya's rating in the DownBeat Critic's Poll (winner in Rising Star Tenor Sax category) no longer a surprise. Blowing alongside her on several of Nubya's compositions, trumpet/flugel player Sheila Maurice-Grey was no mug either. What a great pairing the two made. A solid rhythm section driven along by Sam Jones with outstanding solos from Casimir and Armon-Jones had me transfixed. And, if that wasn't enough the three backing singers provided some nice harmonies with Vula Malinga having a vocal feature on Boundless Beings.
The themes were all meaningful without touching on the moon and June mode. Perhaps the closest was Together is a Beautiful Place which was quite poignant - Nubya remembering someone close who'd passed on. Lovely flugelhorn solo added to the emotive feel.
Difficult to pin down stylistically. The influence of Tomorrow's Warriors not far away, nods towards the jazz fringe but not close enough to hurt, the occasional disco feel and, if this had been the legendary last night, the Promenaders would have been shaking their booties as if they were listening to Frankie Knuckles (today is Frankie Knuckles Day!)
Little did Sir Henry know that what he started way back in 1895 would still be going strong and would include jazz which, in 1895, had yet to be invented by a chap called Jelly Roll Morton! Lance
Source; The Message Continues; Pace; Together is a Beautiful Place; Before us: In Deidara and Caura; Stand with Each Other; Inner Game; Boundless Beings; La cumbia me está Ilamando.
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