Total Pageviews

Bebop Spoken There

Abbie Finn: "Even though there's a lot of great work being done to promote women in jazz, I still come up against some attitudes! I pulled up at a recording session with my drums in the car and the studio owner said, 'I'm sorry, this space is reserved for the drummer!'" - (Jazzwise April 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15245 (and counting) posts since we started blogging 15 years ago. 264 of them this year alone and, so far, 77 this month (March 25).

From This Moment On ...

March

Sun 26: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: 4B @ The Exchange, North Shields. 3:00pm.
Mar 26: Pop Jazz @ Prohibition Bar, Newcastle. 8:00pm. 'Jazzified' tunes by the likes of Sylvester, Bowie, the Monkees etc., feat. Alan Law, David Gray, Richard Herdman & Jude Murphy.
Sun 26: Outlines @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 28: Sanaz Lavasani Trio @ Black Swan, Newcastle Arts Centre. 8:00pm. £12.00 (£10.00. adv).

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: 4B @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £2.00. All welcome.
Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. Back to 1:00pm stomp off. Free.
Thu 30: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. Free.
Thu 30: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 31: Lewis Watson Quartet @ Bishop Auckland Town Hall. 1:00pm. SOLD OUT!
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 31: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm. CANCELLED! Back next week (April 7).
Fri 31: Jasmine Myra + Waclaw Zimpel @ Cobalt Studios, Newcastle. 7:00pm.
Fri 31: The Revolutionaires @ The Shack, Boldon Colliery. 7:30pm. £10.00. The Revolutionaires' big band (horn section) line-up.
Fri 31: Andrew McCormack @ Maltings, Berwick. 8:00pm. £20.00.

April
Sat 01: The Big Easy @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning - In a Minor Key. £25.00. Enrol at: www.jazz.coop.
Sat 01: Hot Club du Nord @ Pleased to Meet You, Bridge St., Morpeth. 8:00pm. £79.00. A charity fundraising event.
Sat 01: Boys of Brass @ Stack, Seaburn. 7:00-9:00pm.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00. RESCHEDULED to next week (Sat 08).

Thursday, April 16, 2020

Tonight's Blue Note: Eric Dolphy - Out to Lunch

Freddie Hubbard (trumpet); Eric Dolphy (alto sax/bass clarinet/flute); Bobby Hutcherson (vibes); Richard Davis (bass); Anthony Williams (drums)

I have to own up, despite the high regard this record is held in by many, it's never been one of my favourites and I hate to think how many years it is since I bought it. If I have played it twice in that time then this is the second time.

Listening again I can understand my initial revulsion. What I can't understand is why it now seems acceptable to me! Possibly because what seemed outrageous in 1964 or whenever I actually bought it has, in the ensuing years, become, for better or for worse, firmly embedded in the contemporary jazz vocabulary. Indeed there are fleeting moments when it sounds almost mainstream.


Dolphy is without doubt a fine instrumentalist capable of holding his own in more conventional settings e.g. Oliver Nelson's Prestige album Screaming the Blues being a good example. On this one he is much more outré.

The others are all A-listers and, once I got my head around it (or out of the sand some might say), I found myself wanting to listen again - Damascus here I come, I'm only 56 years late!
Lance

at

No comments :

Post a Comment

Subscribe to: Post Comments ( Atom )

Blog Archive