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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

August

Thu 01: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 01: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 01: Elsadie & the Bobcats @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 02: Mainly Two @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT! Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Pete Tanton’s Chet Set @ Saltburn Community Hall. 7:30pm. POSTPONED!

Monday, April 20, 2020

The beginning of a century-long love affair between France and black American music ?

Ann Alex's review of BBC Radio 4's series Black Music in Europe: A Hidden History brought to mind a piece I wrote up last year after reading David Olusoga's* The World's War, about the forgotten soldiers of various European nation's empires, the USA and other countries made to participate in the First World War. There is a short section entitled The beginning of a century-long love affair between France and black American music ? - Brian Ebbatson.
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“The 93rd Division (Colored) had been assembled from various African-American National Guard units, volunteers and draftees from the more liberal Northern and North-eastern states. The 93rd contained four black regiments, the most famous of which was the 369th Infantry Regiment – formerly the 15th New York National Guard, soon to be known as the ‘Harlem Hellfighters’.


The 93rd was trained and dispatched to France on the firm promise that its men would be allowed to fight. They arrived at St Nazaire on board the USS PocahontasAmong the men of the 369th Infantry were the forty-four members of the regimental band, some of Harlem’s finest professional musicians, under the leadership of James Reese Europe, who was a pioneer of ragtime in New York City and the leading light of the legendary Clef Club. In the dockside at St Nazaire the band brought a little of Harlem to France, playing their arrangement of the ‘Marseillaise’. Some have pointed to this moment as being the first performance of jazz – or more accurately its musical precursor, ragtime – in France, an event that marked the beginning of a century-long love affair between France and black American music. The moment of history was somewhat lost on the French soldiers present, however, who were reportedly slow to stand to attention to their national anthem, the jazz arrangement was so inventive that it took several bars before they could recognize it for what it was.”      (pages 341-342)   (My emphasis – BE).

David Olusoga goes on to describe how 80% of approximately 200,00 African-Americans who served their country in the First World War were consigned to the Supply of Services (SOS) labour corps, rather than be the combat troops they were trained to become. Because the US command did not want African-Americans fighting alongside white Americans, four regiments of the 93rd Division were transferred to the French Army in March 1918. Of these the 369th Regiment suffered 1,300 casualties and were awarded the French Croix de Guerre for their bravery. (page 343) They were however not represented in the American Expeditionary Force’s contingent at the Paris Victory Parade on the 14th July 1919. (page 403).

On their return to the USA the 369th Regiment “marched through Manhattan in a special parade. Lined up sixteen abreast – an unfamiliar French formation – they marched up Fifth Avenue with the regimental band leading the way playing French military marches. The parade took them through central Manhattan, along streets lined with white Americans, then up to Harlem. ……. The leader of the Universal Negro Improvement Organisation, Marcus Garvey, was said to have wept at the sight of the 369th Infantry parading through the city. That whites, too, had lined Fifth Avenue was taken by some as a hopeful sign that …. the United States might be on the verge of a new era of black-white relations. But African Americans returning to their homes in the South quickly understood that …..  their overseas service had cast them in the minds of many whites as dangerous, radicalized black men who needed to be put back in their place.”

On Armistice Day Senator James Vardaman of Mississippi declared that: “Now that the war is over we shall soon be face to face with the military negro, and if this country is to be spared much trouble we shall need men in office who can realize the truth that where the negro constitutes any appreciable percentage of the population, he must be separated from the white people. Unless that policy shall be pursued, the result will be disastrous for the negro and unfortunate for the white man”. (pages 389-390)
Brian Ebbatson.

Members of the 369th Infantry Regiment (Harlem Hellfighters) band outside the YMCA canteen in La Bourboule, France.




More on James Reese Europe: 
* David Oligusa - of this manor (brought up on the Tyne).

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