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Bebop Spoken There

Jim Keltner: “I was snatched right out of the jazz world. I shouldn't say snatched, I went willingly, I ran. From $85 a week to $250 a week, that gets your attention." - (JazzTimes, September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,726 (and counting) posts since we started blogging 13 years ago. 1143 of them this year alone and, so far, 87 this month (Sept. 24).

From This Moment On ...

September

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 8:00pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: Mainly Two @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 30: '58 Jazz Collective @ Hops and Cheese, 9-11 Tower St., Hartlepool, TS24 7HH. Tel 0770 4160417. 7:30pm.
Thu 30: Shiver + Run Logan Run @ Gosforth Civic Theatre, Newcastle. 8:00pm. NFOJIM.
Thu 30: Jeremy McMurray & the Jazz Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

October

Fri 01: Robert Mitchell @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 01: Warmer Than Blood + Kit Downes + Ceitidh Mac @ Lit & Phil, Newcastle. 7:30pm. NFOJIM.
Fri 1: Knats + Hand to Mouth @ Gosforth Civic Theatre, Newcastle. 7:30pm. Free but ticketed.

Sat 02: Paul Edis @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Stuart Fowler: Learning Jazz Standards. £25.00. To enrol email: learning@jazz.coop.
Sat 02: Zoë Gilby & Andy Champion @ Newcastle Arts Centre. 2:00pm. NFOJIM.
Sat 02: John Pope Quintet @ Newcastle Arts Centre. 3:30pm.
Sat 02: Jamie Cullum @ Sage Gateshead. 7:30pm.
Sat 02: Green Tangerines @ The Globe, Newcastle. 8:00pm. NFOJIM.
Sat 02: Alina Bzhezhinska HipHarp Quartet + Pat Thomas. 8:00pm. NFOJIM.
Sat 02: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm.

Sun 03: Vieux Carre Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 03: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 03: Zoe Rahman @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Sun 03: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 03: Abbie Finn Trio + jam session @ Newcastle Arts Centre. 2:00pm. NFOJIM.
Sun 03: Mainly Two @ The Globe, Newcastle. 3:00pm. NFOJIM.
Sun 03: Pope/Garner/Williams @ The Globe, Newcastle. 4:30pm. NFOJIM.
Sun 03: Fergus McCreadie Trio @ Lit & Phil, Newcastle. 7:00pm. NFOJIM.
Sun 03: Huw V Williams @ The Globe, Newcastle. 9:00pm. NFOJIM.

Wednesday, April 29, 2020

CD Review: Troy Roberts - Stuff I Heard

Troy Roberts (soprano/alto/tenor sax/ double bass/ electric bass); Jimmy Macbride (drums)
(Review by Chris K)

The twelfth release from this multi-instrumentalist and composer as a leader. Roberts was new to me, my first impressions were of a modern “American” sound (he is a US based Australian) – muscular but smooth.

I’ll own up to a certain suspicion of the undoubtedly gifted sax player taking on bass duties, with multi-tracking of (sometimes all three) sax voices.  In pre-Covid days, why multi-track one player when you can have a real live band?!  I did find the bass on the first track, Little Room, a bit plodding, but the rest of the album proves him a fluent and versatile bass player too!  I have warmed to the album on repeated listening, as any feel lost in the studio construction is compensated by the clever composition and arrangement, and the sparkle put back in by the excellent and agile drumming of Macbride,  a young NYC based sideman deluxe.    

The album title alludes to Roberts’ working routine of writing down “stuff he heard” in his head wherever he might be, and results here in a real variety of styles, moods and arrangements.

The substantial,  in length and content,  Harry Brown (after Michael Caine, apparently) sees Roberts lay down a long acoustic bass intro, with a glorious whooshing entry on drums (worth replaying!) before he stretches out with some cool tenor over walking bass.  Further fantastic sax soloing, with expressive bends and stretches (vibes of Brecker) to be heard in Lifeline.   
     
Prayer of Hope has a fresh and genuinely uplifting major key feel, with classical overtones in a peaceful interlude, before turning up the heat for Rejekt, an uncompromising funky frolic, driven by showy electric bass with an almost big-band sound achieved by tight multiple sax voices.

Hightail is a favourite, with insistent electric bass and skittering drums, unfolding into late Weather Report repeated and melodic sax phrases.  Aeonian is slower, with polyphonic interweaving sax lines over ponderous acoustic bass, with some Garbarek style emotion emerging through the doom before fading away. Solar Panels is also very strong, with acoustic bass and sax doubling leading into angular soprano rambling, with outstanding freely blowing drums,    reminiscent of some of Julian Costello’s recent work.

Overall,  a rich showcase of Roberts' composition and playing, with some staggering blowing over clever and propulsive drums. While he can clearly write, play with great power and subtlety, and produce, I’m left a little puzzled from this impressive and clever smorgasbord as to who the real Troy Roberts is?
Chris Kilsby

Released April 10, 2020. Recorded NYC January 2019

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