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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: Struggle Buggy @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Saturday, April 18, 2020

Album Review: Tony Kofi - Another Kind of Soul

Tony Kofi (alto sax); Andy Davies (trumpet); Alex Webb (piano); Andrew Cleyndert (bass); Alfonso Vitale (drums)
(Review by Chris K)

A storming romp of a live recording by Tony Kofi, the hard blowing UK alto star paying a tribute to his inspiration, Cannonball Adderley.  Unusually, although there are CD copies for review, this album is designed for release on vinyl, so weighs in at a relatively lightweight 35 minutes duration. That’s the only lightweight thing about it though, as the band waste no time getting stuck in straight off with two short numbers,  A Portrait of Cannonball and  Operation Breadbasket, by Webb and Kofi respectively. The helter-skelter full-throated solos from Kofi and Davies set the tone for the rest of the album.


I confess to a certain disdain for much alto playing in the modern era, preferring the fuller tone and range of the tenor. This album has banished that notion though swept aside by Kofi’s famed raw power, with visceral N’awlins squawks and octave note bending punctuating fluid but high octane solos.

The title track Another Kind of Soul is the first of Adderley’s canon to get the Kofi treatment, with a pacy run through of the 1957 bop classic, which is remarkable for brother Nat’s upper register cornet pyrotechnics, matched by Kofi and Davies for energy and dexterity.  Kofi and co. can turn it down and play ballads too: a lovely Stars Fell on Alabama evokes the Coltrane and Cannonball 1964 version.

The band really hit their stride with the last three Cannonball classics.  Things are Getting Better (1959) comes complete with raucous carousing alto, a great piano solo from Webb and a solo outing for the immaculate Cleyndert on bass.  The top notch rhythm section also come to the fore catching the bluesy dance rhythm of Adderley’s immortal 1960 Sack O’ Woe. 

And how else would you close other than with Adderley’s signature Work Song? Often butchered as a cheesy blues, Kofi’s crew bring this to life in the authentic hard bop style of the 1960 original, with fine interplay and subtlety throughout the band.

 If you’re after fine and faithful interpretation of hard bop heaven, this is the album for you. Regardless of your taste, live they’d be a blast!  The band planned to tour the benighted south, nearest to our northern fastness being Hull Jazz Festival 17.07.2020.
Chris Kilsby

Release date: 23 April 2020.  Recorded live at Luton’s Bear Club in Nov./Dec. 2019
“The album is available in limited edition  180gm vinyl — the medium of Adderley’s era — to best replicate the ambiance of this remarkable live recording, and in digital format.”
Listen/buy LP or digital  (no CD!)  

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