September
Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Alice Grace Quartet @ King's Hall, Newcastle University. 1:15pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 28: Faye MacCalman + Snape/Sankey @ Cobalt Studios, Newcastle. 7:00pm.
Thu 28: Zoe Rahman @ Jesmond United Reformed Church, Jesmond, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 28: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Speakeasy @ Queen's Hall, Hexham. 7:30pm. £15.00. A Southpaw Dance Company presentation. Dance, audio-visuals, Count Basie, Benny Goodman, swing dancers etc.
Thu 28: Mick Cantwell Band @ Harbour View, Sunderland. 8:00pm. Free. Ace blues band.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Sat 30: John Pope Quintet + Late Girl + Shapeshifters @ Bobik's, Jesmond, Newcastle.
Sat 30: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.
OCTOBER
Sun 01: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 01: Dulcie May Moreno sings Portrait of Sheila @ Central Bar, Gateshead. 2:00pm. £10.00. Moreno sings Sheila Jordan with Giles Strong, Mick Shoulder & John Bradford.
Sun 01: Middlesbrough Jazz & Blues Orchestra @ Saltburn Community Hall. 2:00pm.
Sun 01: The Easy Rollers @ Prohibition Bar, Newcastle. 7:00pm. £13.70., £11.55.
Sun 01: Brand/Roberts/Champion/Sanders @ Blank Studios, Newcastle. 8:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 01: Papa G's Troves @ The Globe, Newcastle. 8:00pm.
Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 02: FILM: Wattstax; 50th Anniversary @ Forum Cinema, Hexham. 8:00pm.
Tue 03: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. House trio: Michael Young (piano); Paul Grainger (double bass); Paul Wight (drums).
2 comments :
I’ve always enjoyed Grant Green’s guitar playing on album tracks I’ve heard. The two vinyl albums I have at home are a good album ‘Born to be Blue’ under his name and a really great album ‘Search for the New Land’ under Lee Morgan’s name and with stellar company. These are good examples of his unique and instantly recognisable solo style. Free flowing, bluesy, melodic but with a distinctive warm but woody and edgy, biting sound that is perhaps due in part to the instrument, a non-cutaway Gibson L7 with the unique McCarty pick up.
Those older Gibson models often had a unique, woody sound. Another great guitarist, for example, is Rene Thomas who used a non-cutaway Gibson 150 with Charlie Christian pick up. His sound had a similar edge to it.
As regards this particular album I enjoyed it although I did find that first slow track rather long. Apart from that it’s great though. True to form Green is in that flowing trademark solo style but does minimal comping. He typically lays out deferring to the piano. I don’t think he would get many pianists saying he gets in the way.
He was one of the greats of the Blue Note era and for someone to have such an instantly recognisable signature style means a lot. You know its him in the first few notes and something about his soloing compels you to sit up and listen. Of the GG I’ve heard I would pick out ‘Search for the New Land’ as one to check out if you’ve not already got it.
Your review of this CD prompted me to listen to my Blue Note 4 CD set 'Grant Green Retrospective' 7243 5 40851 3A/B. This includes the track 'Django' from Idle Moments.
I always enjoyed Green's playing but usually in short doses as his main influences were jazz saxophonists. As a result his sound did not have the full and rich guitar sound of the 1950/1960's jazz guitar greats such as Kessel, Farlow, Ellis, Johnny Smith, Hall and Burrell.
I felt he was essentially a blues guitarist and although he featured on many excellent hard bop Blue Note recordings he did return almost exclusively to playing blues guitar in his later career. Of course he died too young at the age of 44. I can recommend Sharony Andrews Green's biography of Grant Green (Backbeat Books 1999).
Maurice Summerfield
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