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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Tuesday, December 03, 2019

CD Review: Julia Hülsmann Quartet - Not Far From Here

Julia Hülsman (piano), Uli Kempendorff   (tenor sax), Marc Muellbauer  (double bass),  Heinrich Köbberling   (drums)
(Review by Chris K)

The second of three piano led albums marking ECM's 50th birthday.  Hülsmann is a leading contemporary composer and performer in her native Germany, and although not as well known to UK audiences as Jarrett (companion release reviewed on BSH herethis latest of her six ECM ventures as leader is well worth the effort of getting to know. Already acclaimed by John Fordham as his pick of the month, I decided to put some time in - what a good investment!

Hülsmann's long standing trio is augmented here by tenor player Uli Kempendorff, who for me, rather steals the show.   The trio are known for their tight telepathy, and Kempendorff profits by superb playing over and through their wondrous ocean of sounds, recorded as usual with clarity and space.  Boy does he have "tone", but he can also wring emotion and anguish from his sax. In places I thought I was listening to the late Michael Brecker in his more sideways moments.

Eleven of the thirteen - mostly short - pieces are originals, all the band contributings, with Hülsmann providing five.   The exception is the outstanding This is Not America, covered first by the band and later closing with a piano variation. The original was written by the Pat Metheny Group, with lyrics by David Bowie for the 1985 film The Falcon and the Snowman. The haunting melancholy of the original is retained and amplified here, with the bass offering up the theme for some remarkable re-working - the latter period Bowie would surely have approved. Although there are no lyrics here, the despairing vibe of lines like "Blossom fails to bloom this season" is surely apposite to current times in America and elsewhere.

While a sombre mood is found in many tracks, the overall feel has abundant life, wit and intelligence in both the playing and writing. The balance and melodic invention recalls  Tori Freestone's acclaimed last album (El Mar de Nubes -  reviewed here).

A few highlights: the first track The Art Of Failing emerges from a swirling fog of Surman sax, while on Streiflicht Kempendorff runs the whole gamut from tender melody through to free, avoiding ugly on the way! The drummer's composition Colibri is more driven, while the title track Not far from home features a meandering and elusive melody. Hülsmann  rarely emerges from the understated and poised trio format, but she cuts loose on No Game with a powerful and angular solo.

Altogether, a poised and modern delight, with wit, grace and urgency in abundance. I'll certainly be checking out their earlier works.  Sadly, unless you are visiting the Fatherland, you'll have to wait till October to see them, in Nottingham or Cardiff.
Chris Kilsby

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