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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14806 (and counting) posts since we started blogging 14 years ago. 1074 of them this year alone and, so far, 73 this month (Nov.24).

From This Moment On ...

November

Sun 27: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 27: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 27: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 27: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 27: More Jam @ The Globe, Newcastle. 3:00pm. Free. Sitters-in & audience welcome.
Sun 27: Nu Civilisation Orchestra @ Fire Station, Sunderland. 7:30pm.
Sun 27: Jamil Sheriff's Five Gold Rings @ The Globe, Newcastle. 8:00pm.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 28: Jeremy McMurray & Friends @ Billingham Catholic Club. 7:30pm. £5.00. at the door. A SVP fundraiser for Xmas food hampers.

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Thursday, November 14, 2019

Sirkis-Bialas IQ @ King's Hall, Newcastle University - Nov 14

Asaf Sirkis (drums, percussion, konnakol); Sylwia Bialas (vocals, waterphone); Frank Harrison (piano, keyboards); Kevin Glasgow (bass guitar). 
(Review by Russell).

The IQ's second album featured during this afternoon's King's Hall concert. Our New Earth serves to showcase the compositions of the two principals - Asaf Sirkis and Sylwia Bialas - with committed contributions from pianist Frank Harrison and bassist Kevin Glasgow. Drummer Sirkis did the talking, Bialas did the singing, all four did the playing to an attentive audience.

Sirkis' fizzing sticks, Bialas' soaring, at times near-operatic vocals, Harrison's mature piano playing, Glasgow's precise six-string bass playing, IQ (that's the International Quartet) is a working unit of five years or so and it shows - a glance, a nod, a smile, they knew where they were going. 

Bialas' Nocturnity pressed the Polish vocalist's waterphone into action. Consisting of a resonator bowl, cyclindrical neck and brass rods, the waterphone or 'ocean harp' emitted a range of resonant sounds as Bialas first scraped across the rods with a bow then struck with a rubberised hammer. As Sirkis, Harrison and Glasgow picked up on the sounds echoing around the room Bialas' vocal explorations encompassed lyrical expression in the form of scat and vocalese. 

For those unfamiliar with the work of Asaf Sirkis, the Israeli born, London resident musician is a fine drummer. A treat on some of his gigs, as was the case here in Newcastle, is to hear him launch into konnakol Carnatic (south Indian) singing. Applause should have reverberated around King's Hall but, somehow, Sirkis' vocal dexterity met with silence - perhaps, on this occasion, it wasn't the done thing to show appreciation.

A two-part suite - Rooting and the new CD's eponymous Our New Earth - concluded the performance which went down well with the public and student audience alike.
Russell.

3 comments :

Patrick said...

If there is no applause - the audience didn’t like it

Russell said...

Patrick, the absence of applause during a performance doesn't necessarily indicate audience dissatisfaction. On this occasion Asaf Sirkis' brilliant vocal feature didn't prompt applause, principally because everyone present was transfixed, listening intently to the group performance.

Chris K said...

Russell, I think you're spot on. Furthermore, the audience didn't seem to be familiar with a jazz format ...there was no applause for any individual solo effort, even the more conventional keyboard and bass. There was, however, sustained applause at the end of each song!

This was justified as this was a remarkably gifted outfit playing some remarkable music!

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