Total Pageviews

Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, November 24, 2019

CD Review: Joachim Caffonnette Trio - Vers L'Azur Noir

Joachim Caffonnette (piano); Alex Gilson (bass); Jean-Baptiste Pinet (drums)
(Review by Lance)

Sadly, non-jazz pressures caused me to delay my review of this very enjoyable album by Belgium pianist Caffonnette and his two French confrères. Doubly sad as it meant not being able to draw attention to their recent UK tour which, although it bypassed Newcastle, given the number of mainland Europe bands that do turn up on Tyneside, was something of a surprise. However, the tour did include Glasgow, Edinburgh, Manchester, Nottingham, Luton, Hove and, of course, London at no less a place than Kansas Smitty’s.

So, if you live within a close radius of the above towns and cities then you will probably have caught the gig and bought the CD already. If you didn’t make it - maybe you caught one of those bugs that always seem to be going around - then this is the chance to find out what you missed.

The fact that they played at Smitty’s tells you it isn’t going to be exit jazz (way out) although, by the same token, it is far from being dated.

Caffonnette has a gentle touch, reflective, searching. Bill Evans meets Debussy and Thelonious Monk. Monk’s Dream – one of three non-originals – shows that this pianist can swing with his own voicings building upon Monk’s foundation. Great number – great rendition.

Another surprise is Hey Jude which, like so many Beatles’ tunes, proves to be receptive to instrumental interpretations and, in many cases, better without the sometimes mystic and meaningless words!

Caff’s originals are captivating, delving into the harmonic possibilities which he knows are there – well he should do as he composed them! They all have deep meaning and relate to events the composer found inspiration from. Too complex to relate here but the album notes add to our understanding of the music.

Bass and drums do the necessary and have their moments to shine which they take at the cusp. However, this isn’t the Lord of the Manor throwing crumbs to his hirelings, it’s an integrated unit where each man’s contribution is neither less nor more than that of the others and, as such, it works beautifully.
Lance.
Perspectives; Inner Necessity; Tripoli’s Sorrow; Hey Jude; Vers L’Azur Noir; Sugar Man; A Mawda; Monk’s Dream; Jax and Reddy.

No comments :

Blog Archive