For the past sixteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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Bebop Spoken There
The Things They Say!
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.
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From This Moment On ...
September
Sat 21: Jason Isaacs @ Seaburn STACK, Seaburn. 1:00-2:45pm. Free.
Sat 21: Vieux Carré Hot Four @ The Beehive, Hartley Lane, Earsdon Whitley Bay NE25 0SZ. 4:30pm-6:30pm.
Sat 21: Baghdaddies @ Two by Two, Albion Row, Byker, Newcastle NE6 1RQ. 6:00pm.
Sat 21: Milne-Glendinning Band @ The Northumberland Club, Jesmond, Newcastle. 7:00pm. SOLD OUT!
Sat 21: Jude Murphy & Alan Law @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: Jason Isaacs @ St James’ STACK, Newcastle. 2:30-4:30pm. Free.
Sun 22: Dulcie May Moreno Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Richard Herdman @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 22: Remy CB Band @ Blues Underground, Nelson St., Newcastle. 8:30pm. Free. Remi, 2024 Newcastle Uni graduate, superb soul/blues voice!
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Paul Booth with the Paul Edis Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert! SOLD OUT!
Tue 24: Dulcie May Moreno Quartet @ Newcastle House Hotel, Rothbury. 7:30pm. £12.00. (£10.00. adv. from Tully’s of Rothbury). Coquetdale Jazz.
Tue 24: Sarah Gillespie @ The Cluny, Newcastle. 7:30pm (doors). £16.50. Duo performance with Chris Montague.
Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Middlesbrough Theatre. 7:30pm.
Thu 26: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 26: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Contemporary Jazz & the Piano’.
Thu 26: The New 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. Free.
Thu 26: Jo Harrop & Friends @ Hexham Abbey. 8:00pm. ‘An Evening with Jo Harrop & Friends’. A Hexham Abbey Festival of Music & Arts event. £20.00., £5.00. child/student.
Thu 26: Neil Yates & Tom Remon @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 26: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 26: Tees Hot Club @ Dorma’s Club, Middlesborough. 8:30pm. Free. Mark Toomey, Neil Brodie, Graham Thompson, Adrian Beadnell.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Jason Isaacs @ St James’ STACK, Newcastle. 2:15-4:00pm. Free.
Fri 27: Nothing in Rambling @ Prohibition Bar, Newcastle. 7:00pm. £10.00. + bf. Upstairs. Acoustic blues duo + Michael Littlefield & Lyndon Anderson.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. 7:00pm. Downstairs. A ‘Jar on the Bar’ gig.
Fri 27: Tim Bloomer Collective @ Hoochie Coochie, Newcastle. 7:30pm. Free.
Fri 27: Jo Harrop @ The Glasshouse, Gateshead. 8:00pm. All-star line-up.
Fri 27: Faye MacCalman @ Jesmond Pool, Newcastle. 8:30pm. Tickets £6.00. from: www.seetickets.com. A Newcastle Festival of Jazz & improvised Music event in association with Jesmond Pool. Note 16+ only.
Friday, November 01, 2019
Reflections...
Blog Archive
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2019
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November
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65
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- CD Review: Classic Swing - Stepping Out with a Memory
- CD Review: Anne Phillips – Live At The Jazz Bakery
- Donkeys, Jazz and Mince Pies @ The Garden Centre
- Revisiting a super CD.
- CD Review: The Darius Brubeck Quartet – Live in Po...
- Ingrid & Christine Jensen with the Whirlwind Recor...
- Jam Session @ The Black Swan - Nov. 26
- R.I.P. Roy Willox.
- Pope to visit Leeds
- CD Review: Keith Jarrett – Munich 2016
- The Eales' Report: Opus 4 Jazz Club - Nov 22
- Jazz Social @ Charts - Nov 24
- New Gateshead Jazz line-up announced
- Steve Hackett @ Sage Gateshead – Nov. 23
- EFG London Jazz Festival - Rhiannon Giddens/ Franc...
- Sorathy Korwar @ Sage Gateshead (Sage 2) – Nov. 19
- CD Review: Kelley Johnson - Something Good
- CD Review: Joachim Caffonnette Trio - Vers L'Azur ...
- El swing de los años 30 y 40: swing revival
- Preview: Zbigniew Namyslowski Quintet @ Jazz Cafe ...
- The Tenement Jazz Band @ Theatre Hullabaloo, Darli...
- CD Review: DIVA Jazz Orchestra - DIVA + The Boys
- Sue Ferris Trio @ The Merry Monk, Bishop Auckland ...
- Alice Grace-Jordan Alfonso Quintet @ St James' & S...
- CD Review: Joy Ellis – Dwell
- CD Review: Burak Bedikyan - Istanbul Junction
- Newcastle University Jazz Orchestra @ the Dun Cow,...
- Composer of the Week: Mary Lou Williams
- Classic Swing @ Blaydon Jazz Club - Nov 17
- CD Review: Ronny Whyte - Whyte Witchcraft
- Sunday Jazz @ Middlesbrough Town Hall w. Binker Go...
- Emma Johnson's Gravy Boat @ The Globe - Nov. 16
- Not dreaming of a White Christmas
- Preview: Swinging into Blaydon with Classic Swing!
- Jo Harrop & Jamie McCredie @ Holy GrAle, Durham - ...
- Jo Harrop & Jamie McCredie @ The Lit & Phil - Nov 15
- Mondo Trumpet @ Gosforth Civic Theatre - November 14
- FOUR MILLION HITS LATER...
- Sirkis-Bialas IQ @ King's Hall, Newcastle Universi...
- If you happen to be in NYC next Thursday...
- Calvert and the Old Fools @ Dormans Jazz Club, Mid...
- CD Review: Buddy Rich - Just in Time: The Final Re...
- Sugaray Rayford + Radikal Queen @ The Cluny - Nov. 12
- Leading Light of The UK Jazz Revival Binker Goldin...
- DownBeat Readers Poll.
- CD Review: Dave Stryker - Eight Track Christmas
- The Eales' Report - Nov 8
- Mike Durham's Classic Jazz Party @ Village Hotel -...
- Preview: Sugaray Rayford @ The Cluny - Nov 12
- CD Review: Greg Abate - Gratitude
- Mike Durham's Classic Jazz Party @ Village Hotel -...
- Mike Durham's Classic Jazz Party @ Village Hotel -...
- Greg Abate w. Paul Edis Trio @ The Black Swan - No...
- Jam session @ The Dun Cow - Nov 6
- Mike Durham's Classic Jazz Party @ Village Hotel -...
- Preview: Greg Abate w. Paul Edis Trio @ Black Swan...
- Alice Grace & Paul Edis @ Jazz Cafe Mezzanine - No...
- Jam Session @ The Black Swan - November 5
- Mike Durham's Classic Jazz Party @ Village Hotel -...
- Sunday Shopping
- Mike Durham's Classic Jazz Party @ Village Hotel -...
- Mike Durham’s Classic Jazz Party @ Village Hotel -...
- CD Review: Kyle Eastwood – Cinematic
- Preview: An evening with Michael Bublé @ the Utili...
- Reflections...
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November
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3 comments :
I know he's by now one of the old guard but I believe Kenny Garrett is a unique voice, which is probably why Miles worked with him so much in latter years
Come on Lance, this must be a wind up? Trying to get some more traffic going on BSH?
A proper "youth of today" would just smile and post LOL and few emojis in response ;)
Still, since I'm not youth any more, I'll have a go, as I'm familiar with this line from my kids when I tell them that bands today aren't a patch on when I was a lad : Mahavishnu, Nucleus, Hendrix, Soft Machine etc - Steve T knows the score.
After some years of active listening to "new" music (post 2000?) I can make a few of my own (personal and flawed) observations. I guess these won't change what Lance hears - this stuff is all personal and a unique product of our own individual musical journey and history.
1. "Jazz" is wider, deeper and more "developed" now than in any previous era - far more diverse than the era of the one true authentic way of swing/bop (with its own British strand) so loved (justifiably of course) by Lance;
2. we have unrivalled and privileged access to live and recorded music now, and even if 1. (above) isn't true, then it seems like it to me ;
3. the changed nature of the music industry and streaming doesn't lend itself to a small roster of jazz "superstars" and heroes (and also makes it darn' difficult to make a living for musicians);
4. Lance may not recognise them, but even to my sceptical ears there are highly distinctive and unmistakable voices today, even playing in and visiting the North East! From the new wave of (under-5Os?) on the world stage I give you Tigran, Adam Baldych, Mehldau, Kamasi, Christian Scott, Yazz Ahmed, Snarky Puppy, Marcus Gilmore, Simcock, Avishai Cohen (x2!). I'm confident there are jazz listeners out there in abundance who could pass the two note test with these artists!
If he needs an introduction to some distinctive voices, then perhaps tomorrow's Jazz Record Requests special on ECM's 50th birthday (https://www.bbc.co.uk/programmes/m0009zpp) would be a good reminder of some other"two-note" masters - Garbarek, Metheny and Jarrett?
Anyway, Lance, thanks as ever for the provocation, and my realisation that there is more than enough great music out there for all of us to enjoy. I hope you find what you're looking for in your pile of CDs, but remember that your first love is the most intense, and you're asking a lot to re-live that thrill again!
Chris K
I know what you mean Lance. Thanks to the excellent college run jazz courses we now have a superb pool of jazz musicians, who as you say, are technically superior to the past players who you and I grew up with. But to me there is a lack of uniqueness and individualism that earmarked players such as Pee Wee Russell, Wild Bill Davison, Jack Teagarden, Benny Carter, Charlie Parker and many more. Obviously there are a few exceptions but I'm sure that you and I could identify literally dozens of musicians from the period of which you speak, simply because nobody else played like them!
Gordon Solomon.
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