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Bebop Spoken There

Roy DuNann: "I would have sent him [Ornette Coleman] home ... It wasn't music at all for me" (JazzTimes May 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14264 (and counting) posts since we started blogging 14 years ago. 483 of them this year alone and, so far, 83 this month (May 26).

From This Moment On ...

May.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Jam session @ Fabio's Bar, Durham. 8:00pm. A Durham Uni Jazz Soc event. All welcome.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

June

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Four @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 02: The Vieux Carré Jazzmen @ The Walled Garden, Gibside National Trust, NE16 6BG. 12.30 - 3.30pm.
Thu 02: (CANCELLED THIS WEEK ONLY!) Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 02: House of the Back Gardenia @ Gilsland Village Hall. 7:00pm.
Thu 02: The Blues Band @ Whitley Bay Playhouse. 7:30pm.
Thu 02: Thursday Night Prayer Meeting @ The Globe, Newcastle. Featured performers: Tony Bevan & Williwaw. 7:30pm. Free admission (donations). Upstairs.
Thu 02: Atom Eyes @ Hoochie Coochie, Newcastle. 8:00pm. Free.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:00pm.
Fri 03: Sam Braysher Trio @ Saltburn Community Hall. 7:30pm. Braysher, Matyas Gayer, John Williamson.
Fri 03: Ruth Lambert Quartet @ The Vault, Hexham. 7:30pm (doors). £15.00.
Fri 03: Lee Bates @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Friday, November 29, 2019

CD Review: Anne Phillips – Live At The Jazz Bakery


Anne Phillips (vocals); Roger Kellaway (piano); Bob Kindred (tenor sax); Chuck Berghoffer (bass).
(Review by Ann Alex).

Anne Phillips issued a promising debut album, Born To Be Blue, back in 1959 but, surprisingly, didn't do a follow-up until 2000. In between she was singing behind the scenes in commercial music and writing songs for shows and adverts. Then lately, she appeared at LA's famed Jazz Bakery, doing this live recording of standards and some of her own songs and giving an entertaining spoken account of her life and times.


Instrumentalists first, lest I short change them. Sax and piano really stood out on this CD – Kindred on sax happens to be our singer's husband - they must rehearse for hours at home to reach this standard of well integrated performance. For instance, Born To Be Blue gives us effective lines from sax, tender higher tones and deep darker nuances, to reflect both the thrill and the heartache. On Easy Street the sax produces whimsical low tones during his solo to suit the mood, in fact the instrument, via the player, almost talks to the listener.

The piano – the legend that is Roger Kellaway - is similarly expressive. Any singer that has Kellaway on her team has a two goal start. On Phillips’ own song I'm Gonna Lay My Heart On The Line, a tasty swinger, the bass does, well what basses are supposed to do, keeping the hearts on the line, with a solo on the final track, which then ends with a fat chord from everyone.

Ms Phillips sings in a stylish alto and chats engagingly between songs, pointing out that the emergence of rock 'n roll interfered with her singing career but didn't stop her working. Her own songs are: I'm Gonna Lay My Heart On The Line; Watching You Watching Me; Hey Look Where I Am; New York Night Time Blues; To Make Them Like Me; Another Day Without Him; After All These Years (with P Brody). Various styles are covered, such as blues, cabaret and a children's song - To Make Them Like Me - sung as a waltz.

The standards are Born To Be Blue; Easy Street: Embraceable You; There Will Never Be Another You.

A very enjoyable CD, on  Conawago Records 1014. See www.annephillips.com
Ann Alex  

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