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Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17873 (and counting) posts since we started blogging 17 years ago. 194 of them this year alone and, so far, 41 this month (March 14).

From This Moment On ...

MARCH 2025.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Laurence Harrison, Paul Grainger, Tim Johnston.
Tue 18: Phil Bancroft’s Beautiful Storm @ The Cluny, Newcastle. 8:00pm. £13.20 & £11.00.. A JNE-Gem Arts co-promotion.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Nicknames.
Thu 20: Terri Green Experience @ Pilgrim, Newcastle. 7:30pm. £15.90.
Thu 20: Lindsay Hannon Trio @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Hannon’s ‘Tom Waits for No Man’ set.
Thu 20: Ray Stubbs R&B All Stars @ Mill Tavern, Hebburn. 8:30pm. Free.

Fri 21: Paul Skerritt @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Giles Strong Quartet @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 21: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. Featuring special guest Martin Litton (piano).

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Swamp Stomp String Band @ The White Room, Stanley. 7:45pm.
Sat 22: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: The Great Deceivers @ The Globe, Newcastle. 8:00pm. Tom Atkinson & co play King Crimson (1969-1974). Atkinson (guitar); Josh Bentham (alto sax); Stu Dawson (bass); Jeff Armstrong (drums).

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, November 25, 2019

EFG London Jazz Festival - Rhiannon Giddens/ Francesco Turrisi @ Royal Festival Hall – Nov. 22


(Review by Peter Slavid)

I should declare up front that I've been a fan of Rhiannon Giddens for some years.  I first saw her as part of the Carolina Chocolate Drops – the radical trio that recast the history of American Country music to finally recognise the part played by African Americans.  I've seen her play with her own band with a mix of pop, folk and country, I saw her became the first American to receive the BBC's folk singer of the year award. Then I saw her blow away a room full of Scotland's finest musicians when she totally stole the show at the Transatlantic Sessions.

So is this another example of a jazz festival booking someone from a different genre just to fill seats?  Well, yes – if you believe that the history of African-American music and jazz are completely unrelated.  But of course they aren't.


Giddens is a banjo player, singer, fiddler, actress, musicologist and a genuine star with a stage presence to die for.  Growing up of mixed race in the American south, she called contra dances at school, she went on to train as an Opera singer, and has devoted a lot of her career to exploring (and sometimes exposing) the shifting influences of African Americans on the American culture.
Francesco Turrisi is an early music specialist, a jazz pianist and accordion player and a world class player of the Sicilian tamburello as well as being entertaining in his own right – especially when talking about the tambourine.

The duo were accompanied throughout by some fine bass from Jason Sypher and on a couple of numbers by some rasping trumpet from Alphonso Horne.  The show opened with a short set from the soul/jazz singer Bumi Thomas, the Scottish/Nigerian who recently survived an attempt to deport her and who is a quality soul/jazz singer in her own right. 

I don't think it's churlish to say that everyone else on the stage, even Turrisi, was in the shadow of the dominant personality and star quality of Giddens.

In an outstandingly entertaining show we were treated to a history lesson, following the African origins of the banjo, starting with the replica of an 1858 banjo that is Giddens first love. We follow it through its role in the black-face minstrel movement; and we hear some of the African origins of the Sicilian Tamburello and it's similarity to the minstrel Tambo.  And all this is done with so much music and fun that you hardly realise what you are learning.

Musically we heard songs from the duo's fine recent album “There Is No Other“ and more. We heard  American folk music, a Hermeto Pascoal tune, an Italian folk song in a Puglia dialect, an Irish folk song that finished with an episode of scat singing, blues, jazz, cabaret, and even a touch of opera.  Then as an encore, two songs from Sister Rosetta Tharpe with Giddens infectiously enthusiastic as she bounced around the stage to close to a standing ovation, and a rush to the CD stall.

The duo are appearing at Sage Gateshead on Friday November 29.
Peter Slavid.

Peter Slavid broadcasts a programme of European Jazz on several internet stations including mixcloud.com/ukjazz

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