Sorathy Korwar @ Sage Gateshead (Sage 2) – Nov. 19

(Review by Steve T)

It's becoming increasingly futile to second-guess what to expect at gigs, but there was never any doubt in my mind I'd be going to this one.

His My East is Your West is one of the finest albums I've ever reviewed for Bebop Spoken Here, but it came with scant information (actually none if I remember correctly).

I was expecting a tabla player so wasn't sure whether Sorathy was the drummer or the person rapping at the front of the stage: when Trilok Gurtu played the Sage with Paulo Fresu and Omar Sosa, he had various Indian percussion instruments incorporated within his standard kit.

The rapping was not of the typical American variety nor the original DJ/ toasters of Jamaica at the turn of the seventies, but of the British variety and specifically the British Asian variety, but with a distinctly Gil Scott Heron influence, further suggested by his splendid beard and hat.

When he left the stage after the first piece, I wondered if he would return with a pair of tablas but it quickly became apparent that the drummer - unassuming behind his kit at the back of the stage - was nobody's sideman.

He was aided and abetted by a sax player to his right, sometimes heavily distorted and sometimes clean, and keyboards to his left playing lots of sounds, though managing to avoid some of the excesses of some electronic-soul outfits.

The dapper rapper would return for some more topical spoken word about Boris' Britain, but my enduring impression of this gig was without doubt the astonishing prowess of the leader, the latest Asian percussionist I've come across whose abilities just seem to be off any scales we may have grown accustomed to.

Extraordinary.     

Steve T

PS: The Sage is a fifty mile round trip for us so it's sometimes difficult to get there in time during the week. When we got there we found out John Pope was the support act doing a solo bass piece.

Since I often struggle to maintain interest with trios, unless there's a Hammond or one of them is singing, we decided not to go in in the middle of the set.

However, the lady sat next to me told me he'd done a great job keeping it interesting with entertaining announcements, plenty of variety and some bow work and actually singing on the final piece and apparently he has a fine voice.

Any more north east jazz musicians with something they'd like to tell us?