Total Pageviews

Bebop Spoken There

Julian Lage: "Charlie Christian's the greatest ever, in my opinion." - (DownBeat, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15103 (and counting) posts since we started blogging 15 years ago. 122 of them this year alone and, so far, 20 this month (Feb. 6).

From This Moment On ...

February

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guest band: Just Friends: Ian Bosworth (guitar); Richie Emmerson (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com.
First gig of four (1/4). The Slowlights feat. YVA.
Sat 11: New Century Ragtime Orchestra @ King's Hall, Newcastle University. 7:00pm. £15.00. on the door.
Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Second gig of four (2/4). The Slowlights feat. YVA. SOLD OUT!
Sat 11: Vermont Big Band & the Coast Connection @ The Seahorse, Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet), raffle. SOLD OUT!
Sat 11: The Rebelators @ Prohibition Bar, Newcastle. 8:00pm.

Sun 12: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. LAST SESSION!
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com. Third gig of four (3/4). The Slowlights feat. YVA.
Sun 12: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 12: Jive Aces @ Queen's Hall, Hexham. 7:30pm.
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Fourth gig of four (4/4). The Slowlights feat. YVA. SOLD OUT!
Sun 12: Sylvain Darrifourcq-Manuel Hermia-Valentin Ceccaldi @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 13: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 13: Central Bar Quintet @ Central Bar, Gateshead. 7:30pm. £5.00. First set: The Central Bar Quintet plays Horace Silver's The Tokyo Blues (featuring Pete Tanton). Second set: standards & more (no jam session).

Tue 14: ???

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 15: 4B @ The Exchange, North Shields. 7:00pm.
Wed 15: Durham Univesity Jazz Orchestra w. Tiny Fred's Collective @ Mark Hillary Arts Centre, South Road, Collingwood College, Durham. 7:00pm. 'Jazz Night 1'. The evening begins with a jam session followed by a concert performance.
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 15: Syd Lawrence Orchestra: Big Band Brass @ Fire Station, Sunderland. 7:30pm.

Monday, November 25, 2019

Sorathy Korwar @ Sage Gateshead (Sage 2) – Nov. 19

(Review by Steve T)

It's becoming increasingly futile to second-guess what to expect at gigs, but there was never any doubt in my mind I'd be going to this one.

His My East is Your West is one of the finest albums I've ever reviewed for Bebop Spoken Here, but it came with scant information (actually none if I remember correctly).

I was expecting a tabla player so wasn't sure whether Sorathy was the drummer or the person rapping at the front of the stage: when Trilok Gurtu played the Sage with Paulo Fresu and Omar Sosa, he had various Indian percussion instruments incorporated within his standard kit.

The rapping was not of the typical American variety nor the original DJ/ toasters of Jamaica at the turn of the seventies, but of the British variety and specifically the British Asian variety, but with a distinctly Gil Scott Heron influence, further suggested by his splendid beard and hat.

When he left the stage after the first piece, I wondered if he would return with a pair of tablas but it quickly became apparent that the drummer - unassuming behind his kit at the back of the stage - was nobody's sideman.

He was aided and abetted by a sax player to his right, sometimes heavily distorted and sometimes clean, and keyboards to his left playing lots of sounds, though managing to avoid some of the excesses of some electronic-soul outfits.

The dapper rapper would return for some more topical spoken word about Boris' Britain, but my enduring impression of this gig was without doubt the astonishing prowess of the leader, the latest Asian percussionist I've come across whose abilities just seem to be off any scales we may have grown accustomed to.

Extraordinary.     
Steve T

PS: The Sage is a fifty mile round trip for us so it's sometimes difficult to get there in time during the week. When we got there we found out John Pope was the support act doing a solo bass piece.

Since I often struggle to maintain interest with trios, unless there's a Hammond or one of them is singing, we decided not to go in in the middle of the set.

However, the lady sat next to me told me he'd done a great job keeping it interesting with entertaining announcements, plenty of variety and some bow work and actually singing on the final piece and apparently he has a fine voice.

Any more north east jazz musicians with something they'd like to tell us?   

No comments :

Blog Archive