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Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Thursday November 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Brand New Heavies - Riverside, Neptune House, Close, Newcastle NE1 3RQ. 7:00pm. £25.00.

Alice Grace-Jordan Alfonso Quintet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Son Yambu - Whorlton Village Hall, Barnard Castle DL12 8XD. Tel: 01833 627253. 7:30pm. £10.00., £5.00. child, £25.00. family.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Dan Johnson (tenor sax); Donna Hewitt (slto sax); Dave Archbold (keys). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 05, 2019

Sunday Shopping

(By Lance)

Apart from the music, the real ale and the jazz talk with friends old and new, one of the highlights of the CJP is the CD stall. The live music may be closer to ragtime than bebop but the record stall knows no such boundaries and, apart from albums by the performers - Christmas is coming and we have the perfect stocking filler for you routine (that phrase always makes me think that they must think that our friends have funny shaped legs) - there were albums covering eras from the past to the present and beyond. I half expected to find a couple of cylinders by Buddy Bolden but maybe Dave Kerr beat me to it.

Now, despite the pile of review CDs awaiting their turn (oh he's still not harping on about that I hear you say) I found myself splashing out for three gems that I somehow never got around to buying back in the day.


Billie Holiday's Songs For Distingué Lovers was dismissed by some of the critics when it first came out not long before her death but, to my ears, it's as good as anything she did in her earlier years. The voice is stronger and more assertive without losing that plaintive and emotional quality that was there irrespective of the era. Super solos by Ben Webster, Sweets Edison, Barney Kessel, Jimmy Rowles and that most underrated drummer Alvin Stoller made this the real deal when it comes to the classic jazz vocal album.

Talking of classic line-ups, they don't come much better than (collectively) the players on Benny Carter's Further Definitions & Additions to Further Definitions. Carter, Bud Shank and Phil Woods on alto saxes, Coleman Hawkins, Teddy Edwards, Buddy Collette, Bill Perkins and Charlie Rouse on tenor, Bill Hood on baritone. Plus a rhythm section that collectively includes Don Abney (piano); Barney Kessel, John Collins and Mundell Lowe (guitars); Ray Brown (bass) and, once more, Alvin Stoller (drums). Great, easily identifiable musicians, blowing on some good tunes all arranged by Benny Carter.
 
The final five quider that I picked up - Charles Mingus & Friends in Concert - is another blast. How could it not be with guys like Dizzy, Faddis, Konitz, Moody, Mulligan, Ammons, McPherson, Randy Weston, Milt Hinton and a whole gang of others taking the roof of Lincoln Center. I don't know where I was on February 4, 1972, but I know where I would liked to have been!
Lance

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance