Zoe Gilby & Andy Champion @ The Jazz Cafe - August 4

Zoe Gilby (vocals) & Andy Champion (double bass).

(Review by JC/Photos  from archives courtesy of Mike Tilley .)

I very rarely come into the centre of Newcastle at weekends except to go to a jazz gig, usually at the Jazz Cafe, as it is often a slightly alarming experience. In the old days jazz used be wild music associated with illicit substances and unbridled sexual licence and decent law abiding citizens would not be associated with it. Now it's the other way round with the Jazz Cafe being a haven of tranquillity and sensible shoes with the drugs and sex mostly just in the songs, while outside in the city centre the streets around are like something out of one of Fellini's films. Noisy gangs of young men and equally voluble groups of young women fill the pavements and the roads. No children or families, of course, or anyone over 30 - except for a solitary jazz fan in appropriate footwear heading swiftly for Pink Lane.

However, that doesn't mean that the music in the Cafe is not edgy and passionate - it is - and the Gilby-Champion duo were in great form. I've always been a big fan of this duo format because of the instinctive interplay between the two performers and the opportunity it gives Zoe Gilby to display her vocal improvisational skills and subtle lyrical interpretations of well-chosen songs and Andy Champion to foreground all the possibilities of his double bass.

I arrived a little after the first set began and the duo were well into Nice Work If You Can Get It. with Andy Champion in full flow on his bass solo. As I was enjoying the music I wasn't really keeping a list of the order of the songs but some of the ones that stood out were the Monk tunes, Straight, No Chaser, imbibed at a breakneck pace and Well, You Needn't sung with all the sharp, staccato twists and turns of Monk's piano-playing.

As well as including classic jazz songs, their repertoire has always been diverse and quirky picking out tracks that have something special about them by modern songwriters - Joni Mitchell, Paul Simon, Pink Floyd and more. Tonight it was particularly sinister versions of Nick Cave's Red Right Hand and Tom Waits Way Down in the Hole with the close interplay of voice and bass creating an edgy atmosphere. Maybe a disguised Donald Trump was in the audience as he pinched a quote from the Waits' song in his threats to North Korea a few days later 'He's got the fire and fury/at his command'. Kate Bush's mysterious Kashka from Baghdad, who seems to be having a good time behind closed doors, got the full range of Gilby's vocal ability and a beautiful rendition of Weaver of Dreams changed the pace. The duo's set included two new additions to the repertoire, both connected to the great but enigmatic singer, Nick Drake, who died at the early age of 26. The first was John Martyn's Solid Air, a song written for Drake, which seems to capture his troubled life. They finished with Drake's own Riverman and both Gilby and Champion gave it an intense treatment with Gilby really drawing out the emotion of the lyrics. This rounded off a fantastic gig with both performers demonstrating their dexterous versatility with a great selection of songs, changing tempo and tone, improvising and embellishing at will. All those lucky people who have tickets for their performance at Ilkley Jazz Festival are in for a treat!

Then it was  back out onto the streets, the whole scene looking even more surreal than before. A group of women emerged from a bar wearing pink bunny ears and one was carrying a life-size inflatable doll - was that her prize or her punishment? I went quickly on....

JC