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Bebop Spoken There

Sean Jones: "There were like three people in church who couldn't sing or play an instrument. We thought there was something wrong with them." (DownBeat July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14362 (and counting) posts since we started blogging 14 years ago. 581 of them this year alone and, so far, 81 this month (June 26).

From This Moment On ...

June

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm. CANCELLED!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Sun 03 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 03: Ruth Lambert & Martin Craggs. @ The Exchange, North Shields. 2:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Abbie Finn Trio @ The Exchange, North Shields. 3:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Wild Women of Wylam @ The Exchange, North Shields. 4:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: 4B @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jazz Jam @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm.

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wednesday, August 09, 2017

Jazz Co-op Workshop @ The Globe: August 5/6

Tutors: Jilly Jarman and Jim Birkett
(Report by Ann Alex)
This is an account of what 22, or so, of us got up to at this very enjoyable and informative event. As Jim said, music is PLAYED so it should be done for enjoyment, which was what we had. We began with a plenary session of practising rhythms and pitches, singing notes 1, 3, and 5 of the scale, and clapping rhythms with eyes closed. DO try this at home and you’ll find out how difficult it is for everyone to clap correctly at the same time. Much laughter. We then became 2 groups, more advanced people upstairs with Jim doing goodness knows what heavy theory and 4 vocalists downstairs with Jilly and 2 keyboards, 4 saxes, drums and also some of the instrumentalists singing. A very unusual jazz combo indeed, and Jilly on bass guitar and keyboard.
We sang Ole Baby with call and response, lower and higher parts for voices and saxes, Recorda-Me (Joe Henderson), and the ballad You Don’t Know What Love Is. We’ll be eternally grateful for that last beautiful song as an addition to our repertoires. I thought that it was worth coming to the course for that song alone.

In the afternoon session, Jilly produced a penny whistle, all the better to let us hear the strong pure notes of Coltrane’s Equinox, another joy of a tune, and provide a useful exercise in learning both tune and lyrics by ear. Plenty to practise overnight!

On Sunday morning Jim treated us to some quite complex theory. It pays singers to know something of what instruments are doing with chords and you never stop learning about this. (I’m tempted at this point to tell the old joke about the difference between a rock musician and a jazz musician. You can email me if you haven’t heard it). We had fun practising all our songs, then realised that we had to perform for the other group, so we did a wild and free version of Ole Baby and sang a rendering of You Don’t Know What Love Is with a half chorus of solos for each singer, once through for instrumental solos, then a more rhythmic sung rendering. We didn’t do too badly. We then went upstairs to listen to the other band: approximately 2 keyboards, 4 guitars, 3 saxes, clarinet, flute, drums, but no bass. Was there ever a big band like this? They did rather well on Weaver of Dreams and a quirky version of Autumn Leaves, with solos all round.

Then it was time to pack up and go home. I had my usual struggle with my music stand. The Globe should put on a course about putting up and taking down these implements. I’d like to thank all those who made the day work well: the Tutors themselves, Derek for doing the sound as well as playing drums for our group, Sheila for organising the whole workshop which ran seamlessly, Hayley and Ali on the bar. I hope I haven’t missed anyone out.
It was really good - YOU should be there next year!
Ann Alex

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