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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Sunday, August 13, 2017

CD Review: Tom Millar Quartet - Unnatural Events

Tom Millar (piano); Alex Munk (guitar/electric sitar on title track)); Misha Mullov-Abbado (bass); Mike Clowes (drums) + Alice Zawadski (voice on 2 tracks)
(Review by Lance).
Millar, born in Sydney, raised in London, read music at Cambridge, graduated with a master's from RAM and studied with Django Bates in Switzerland before recording this, his debut CD, in Wales. Not a man to let the grass grow under his feet! Fortunately, this, seemingly perpetual motion, is reflected in his playing and in his compositions which are all inspired by people and places that have been important to him.
Azura Days has Millar and MM-A providing extra rhythm behind Munk by way of some egg shaking. Clowes thumps the tubs behind Millar's solo and the whole is suggestive of JSB after a few Brandenburgs and Kronenbourgs although, in actual fact, it was inspired by a trip around the Mediterranean.

The Seafarer is reflective and evocative of the changing tides and undercurrents the seafarer faces in uncharted waters. One senses there may be a storm brewing. The music, like the sea, becomes choppy and I began to think of The Rime of the Ancient Mariner. The Seafarer survives and all is peaceful and tranquil when he eventually drops anchor.
Unnatural Events. There just happened to be an electric sitar lying around the studio - well there would be wouldn't there (in Wales)? and Munk uses it most effectively.
The Power Chord Thing is just that! Power chording from Millar, Munk and Misha with Clowes digging his own escape route in case he needs it - he doesn't!
Choro, the first of Zawadski's two vocal appearances is wordless but not tuneless. Alice displays a horn-like quality, blending into the head before the others take over the solo slots. It's an ethereal exploration that gradually fades.
Inversnaid, a poem by Victorian poet Gerard Manley Hopkins (1844-89), has a Cleo/Norma-like interpretation and Alice can hold her head aloft in that company. Hopkins may not have imagined this version but, as Alice points out in the notes, it gave her an environmentalist message and its beautiful natural imagery seemed particularly apt in our current age where man-made global warming is transforming life on our planet - even within our (well hers) lifespan.
Woad: No explanation given - maybe it's to do with tattoos or face-painting or just good old Friday night warpaint. Whatever, it's my favourite track on the album - a hard fought accolade on a disc that has few, if any, drops in excellence. All four musicians seem to be moving in different directions but you know they'll be together in the end.
Park Hill: Is this rather beautiful and soulful ballad really based on the infamous Sheffield Council Estate or is there another Park Hill? Pursuing the question, I find the once notorious flats are being given a makeover so maybe this is reflected here. Certainly, come the conclusion, the mood is pastoral and augurs well for the future.
The album is due for release on Sept. 15 on the Spark Label and the quartet (with Dave Storey on drums) tour from Sept. 7 starting at Matt & Phreds in Manchester and ending up on November 15 at the Green Note in Camden as part of the EFG Festival. They miss out Sheffield so maybe it is a different Park Hill?
Lance.

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