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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Tuesday, August 29, 2017

CD Review: Fred Hersch - (open book)

Fred Hersch (piano)
(Review by Dave Brownlow)
(open book) is jazz piano-master Fred Hersch’s latest recording – his eleventh solo album – which finds him in a particularly reflective and lyrical mood. It is timed to coincide with the publishing of his memoir Good Things Happen Slowly: A Life In and Out of Jazz which reveals his meteoric rise in jazz and his recognition as one of the most individual and expressive artists of his generation.
The music was recorded in a Seoul, South Korea, concert hall on a Hamburg/Steinway grand piano and Fred utilises all the magnificent sonorities throughout.
The Orb first appeared in Hersch’s recent music-theatre show My Coma Dreams and is an out-of tempo exploration of the theme with frequent re-harmonisations and daring phrases. I hear some of the chord-sequence of Stella by Starlight here and there…Benny Golson’s Whisper Not opens like a Bach Two-Part Invention, cleverly going straight into swinging improvisation in the same style with the theme stated only at the very end. I can see a parallel here with J S Bach himself playing keyboard in the court of Frederick The Great and hoping for his pay-cheque at the end of the month! (Bach was a great improviser!) Jobim’s Zingaro is transformed from a bossa-nova to a Chopin-like Nocturne in a minor key and is a graceful, fluid performance.
Next is the nineteen-and a-half minute Through the Forest which forms the centre-piece of the album. This was an unplanned, spontaneous piece where Fred allowed his improvisatory powers full rein in at times a surreal, abstract way. Hersch himself remarks “this is an example of improvising with no safety-net or pre-conceived ideas – I just went wherever it took me until it felt right to arrive at a musical and emotional destination.” I suggest that there are only a handful of musicians in the world today who are capable of a performance of this nature (Keith Jarrett is another) who have the musical knowledge and intelligence to carry it out successfully.
Following this tour-de-force is Plainsong another Hersch composition, a classical-flavoured piece somewhat like a folk-song, with theme and variations where the music meanders along in a melancholic mood. Fred always includes a Monk song in every recital – this one is a jaunty, buoyant effort – Eronel  co-written by Sadik Hakim (Argonne Thornton). Now there’s a name to conjure with! Argonne is believed to have played a small part on piano in the seminal 1945 Charlie Parker session which produced Now’s the Time and Billie’s Bounce! Finally, Billy Joel’s tender song And So It Goes brings the album to its conclusion. Here is a sensitive reading of this piece, beautifully harmonised in a gentle out-of–tempo style where the pianist extracts every bit of emotion from the fragile melody.
So, another in the series of successful albums from Fred Hersch which further enhances his status among today’s master-musicians.
Dave.
(open book) is on Palmetto PM2186 available on 8th September 2017 from:

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