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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Tuesday, August 29, 2017

Paul Edis Sextet @ Jazz Theatre, Ushaw Jazz Festival, Durham, Aug 25.

Paul Edis (piano), Graham Hardy (trumpet), Danny Barley (trombone), Graeme Wilson (saxophone, flute), Mick Shoulder (bass), Adam Sinclair (drums).
(Review by Steve T/Photo courtesy of Russell.)
I don't speak for Paul but I'm guessing, of all the bands he plays in, this is his flagship, so, appropriate for it to headline the first night.
A new selection taken from their two albums, both essential for anyone who follows north east jazz, with one track from Graeme Wilson’s Quartet album which is every bit as compelling.
They started with Administrate This, especially for anyone who's had an unpleasant experience with a parking ticket or something similar, which must be all of us.
I Wish I Was a Monk was appropriate for the setting, and, given that it’s Thelonious' centenary year, found Adam Sinclair doing some tricky syncopated drumming that I'm sure Monk would have approved of. We don't see enough of Adam these days but he's launching his very own trio, so something to look forward to there.
It's Been, it's Gone is a saying from mother Edis, but is for all the sayings of all our mothers everywhere.
Madeira is inspired by a winding road discovered on the Portuguese island and had the Wilson Graeme switching to flute and the Hardy Graham playing muted.
Cluster Fluster takes the Fender Rhodes sound of early jazz-rock Miles as a reference point, back to when he [Miles] had Hancock, Corea, Zawinul and Jarrett, not because he needed four keyboardists, but so no one else could have them.
Elegy is a lovely ballad with a tastefully programmed and delivered bass solo, and that from someone [me] who gets frustrated with bass solos for the sake of it.
The final piece was Brand New Mountain from Wilson, and we learned that it formed in Japan, but we need to go and see them again to find out how and why. Solos from sax, trombone from Danny Barley, at all of twenty-two, doing a splendid job depping for Chris Hibbard, piano featuring, if I'm not mistaken, a thinly veiled reference to A Love Supreme, and a concise and perfectly formed drum solo.
Lance highlighted this type of thing when he reviewed their last Caff gig, that you only get a bass solo when it's exactly what's required and you don't get unnecessarily long drum solos.
The Sextet are spread from Darlo to Edinburgh and they're all very busy, but a trilogy would be nice Paul, when you're ready. This is still one of the powerhouses of British jazz; classic and forward looking at the same time, and performed with taste and class, with a frontman growing in stature with every performance.
Steve T.

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