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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, August 08, 2016

Jazz Co-op Summer Weekend Workshop @ The Globe: August 6/7

(Review by Ann Alex)
This is just a brief report as I was too busy enjoying myself and managing to learn more about jazz, to make many notes for BSH.  Our competent and very encouraging tutors were James Birkett and Paul Edis, and I suppose there were about 18 of us. The Saturday and Sunday morning sessions were for us to learn some basics, and we had to decide for ourselves whether we were ‘Introductory’ or ‘Advanced’, so I was introductory on Saturday and I tried advanced on Sunday, so something must have sunk in, perhaps overnight. Paul started with clapping exercises for rhythm, then rhythms with singing, then instruments, then using chords. We did this all without sheet music, which is an excellent idea, more often used by folk music tutors.
So far, so good. 
In the afternoons we were divided into two well-balanced bands.  Our band worked on 2 songs, Perdita and Little Sunflower, which the instrumentalists seemed to manage well: I became rather tangled up in the rhythms, so found myself at home, late last night, listening to the songs on YouTube, self- imposed homework.
At 9.45am on Sunday I was amazed at how bright-eyed and nimble fingered some of the instrumentalists sounded, so keen to get going. We all soon warmed up with more complicated clapping and vocal exercises, and discussions about chords and modes, and many other aspects of jazz. But it was the afternoon which brought the biggest surprise.  We swopped tutors for the band exercise and Jim announced that we were going to compose a song from scratch, complete with chords and lyrics. And both bands did it!
Our band started by deciding on the structure and feel, then the chords were arranged.  I wisely kept quiet about chords and stuck to writing lyrics.  A tune sort of rose up out of the chords and came to me. And there you are, we had a bossa nova song called I Hope You’ll Stay, which was performed for the other band to hear, complete with solos, and yes, they did stay!
Paul’s band was much larger, big band size in fact, and they had composed a superb blues number, played with smart big band precision from all contributors. Their talented vocalist was Sheila Herrick who said it was the first time she’d ever written lyrics. Not her last song I hope.
Another great educational event from the Jazz Co-op, so thanks to them and especially to Dave Parker who worked hard on the weekend.  Why not try the monthly Co-op workshops at the Sage, 1st Saturday of the month?
Ann Alex   

1 comment :

Patrick said...

It was a great session, and I thought your lyrics were amazing Ann, considering how little time you had to work on them!

Patrick

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance