Mark Williams (guitar), Paul Susans (bass) & Russ Morgan (drums)
(Review by Russell/Photos courtesy of Mike Tilley)
At dusk a mid-November mist descended over Newcastle. As it is the month of April the unseasonal gloom perhaps persuaded some to stay indoors. The streets quiet, the pubs no different, down on Pink Lane the Jazz Café’s doors defiantly remained open for business.
Half an hour before the first set was due to start three amigos sat at the bar; Geordie Jazz (the house bottled beer), a cider and a glass of wine in front of them. The ‘three’, the trio of Mark Williams, Paul Susans and Russ Morgan, were ready and waiting. Patience is a virtue and in due course the Caff filled up nicely and the boys made a start.
Guitarist Mark Williams wouldn’t be out of place leading a band at Ronnie Scott’s or one of the Big Apple’s premier jazz clubs such as the Blue Note or the Village Vanguard. The fact that the amiable Irishman chooses to ply his trade on Tyneside is one of the glories of the Geordie jazz scene. The set list comprised now familiar original tunes and one or two new numbers. Totally in command of his instrument, his current band mates Paul Susans and Russ Morgan are, perhaps, the ideal musicians to take the music to a wider audience. Dark, brooding, prowling riffs, Williams revelled in constantly shifting time signatures, a book of chords labelled ‘advanced’ and working with two similarly talented musicians.
Weird Waltz is a dystopian lullaby; lyrical, threatening, briefly swing time. Slow, slow, breaks off, go! Williams is a man of few words preferring to let his guitar do the talking. Self deprecation suits the Irishman: It’s just a blues said Williams of Booze Blues. Just a blues? And the rest! The arrival on the scene of Russ Morgan has been a real bonus. The thought occurred that he is the drummer for this band. Word of mouth, checkout Morgan and the gig was his. Scintillating playing from all three men. Last Bus to Bensham (Colin Dexter would approve of the title!) was one of Williams’ tunes. Is it really titled Last Bus to Bensham? Probably.
The ‘Tuesday Live at the Jazz Café’ audience really dug it. From the off everyone sat or stood at the bar listening intently. Bassist Susans has worked with Williams for years and it shows – total trust, freedom to express. Swing, blues, cranked-up riffs, leftfield waltz, a free-jazz element, a listener’s gig. List your favourite musicians. Williams isn’t on it? In that case, you haven’t heard him play. Russell
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