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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, April 30, 2016

John Bailey Quintet @ The Jazz Café. April 29

John Bailey (guitar), Tim France (tenor saxophone), Richard Iles (flugelhorn), Garry Jackson (double bass) & Steve Hanley (drums)
(Review by Russell/Photos courtesy of Mike Tilley.)
Godin Guitars endorsee John Bailey has a nice line in self deprecation. The truth behind song titles – and their meaning, if any – has been exposed by the amiable Leeds College of Music graduate: Google ‘Song Name Generator’, said Bailey. The home page asks an important question: Feeling lazy? Fill entire form with random data. The end result? An entirely random (meaningless) song title!     

John Bailey sat behind and to one side of the front line horns. Nylon string guitars lightly amplified, the horns playing acoustically, the bandleader cut a figure of band mate rather than out front, obvious band leader. His music did the talking; challenging compositions, the senior men in the band – Tim France, tenor saxophone and Richard Iles, flugelhorn – fully concentrated on the charts in front of them, the rhythm section more than regulation timekeepers, drummer Steve Hanley especially inventive.
Ted’s Entrance opened the programme. Strength in Numbers followed. The former a tune about Ted the collie (not a Google creation!), can be found on the album Heart Horizons, the latter from the recent release Black Ship Bright Sea. Bailey apologised for not having brought some CDs with him. Perhaps his current preoccupation – being on a fifty-six date nationwide tour with operatic tenor Russell Watson – excuses his somewhat disorganised merchandising operation! Little Bird flew kind of modal (Iles’ flugelhorn) to free, the bass and drums pairing – Garry Jackson and Steve Hanley – excelling. The first set came to an end with Regression. An attentive audience showed its appreciation. A minor reservation, and it is very much minor scale, with horns in full cry it was, at times, difficult to hear the nylon string guitar in the hands of Bailey. When the horns dropped out the accomplished guitarist was heard to best effect, straddling and indeed combining jazz and contemporary classical genres with enviable facility.
Second set: probably randomly generated, nevertheless a good title with which to resume – Positive Thinking. Bassist Garry Jackson’s robust, singing solo set the tone, France and Iles picked up on it with solid statements of their own and the main man, J Bailey, began to open up. A hint of Al Di Meola and Paco de Lucia, perhaps Bailey has checked out the Extrapolation period of John McLaughlin.
It’s a Strange World, said Bailey. Strange indeed; a pop-operatic gig with Russell Watson the previous evening at Whitley Bay Playhouse, this Jazz Café gig a welcome change and the very next night back to the world of popular arias at Leeds Grand Theatre. What odds would you offer for the following being true? Bailey introduced Sfumato suggesting it is a term used to describe a painting technique known to scholars of the Italian Renaissance. Correct. Fellow Leeds College of Music alumnus Matt Anderson (tenor saxophone) has a tune of his own (heard at a gig in Newcastle) titled…Sfumato. Leicester City started this season as 5000-1 outsiders to win the Premier League. Two young jazz musicians, both graduates of LCoM, both come up with the same title. What odds would you offer? The erudite Bailey referenced Benjamin Britten, happily talked about another nonsense title – Amoeba Men – and closed the set with Lightning Workshop. John Bailey has assembled a stellar line-up, the presence of Franks and Iles’ an indication of the standing of the young man on the jazz scene. It will be interesting to see where John Bailey goes from here.     
Russell.

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