Total Pageviews

Bebop Spoken There

Gregory Porter: "A lot of energy in jazz is emanating right from the UK and that's awesome." - (Music Week 03.08.2020)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,740 (and counting) posts since we started blogging just over 12 years ago. 880 of them this year alone and, so far, 17 this month (August 4).

Coming soon ...

August

Thursday 6: Vieux Carre Jazzmen - The Holystone, Whitley Road, Holystone, North Tyneside NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free. OUTDOOR gig.

Tuesday, April 12, 2016

CD Review: Kat Parra - Songbook of the Américas.

(Review by Debra M ).
San Francisco-based Kat Parra brings together a range of jazz and Latin influences in her fifth album Songbook of the Americas.  It’s all there in the opening Four, played as a mambo, with tight fluid horn lines and original lyrics, including a break into a Spanish ‘coros’. Betty Carter’s characteristically witty phrasing in Please Do Something goes down well as a ‘Cha-Cha’, the arrangement potentially ideal material for Strictly Come Dancing.  
Parra nails her bebop credentials in Wouldn’t It Be Sweet, an outstanding delivery of original lyrics, vocalese & scatting on Charlie Parker’s Au Privave. The rest of the album is composed of predominantly Latin songs, and Parra’s slightly hard-edged tone is well suited to the emotional delivery of Spanish lyrics. The variety of the material is enhanced by subtly dynamic arrangements & contributions from the guest vocalists. A highlight is the ensemble’s version of well-known bolero Besame Mucho, which is refreshed by a slow and atmospheric interpretation featuring Masaru Koga on shakuhachi (a Japanese end-blown flute),  with the acoustic bass & percussion combining particularly effectively.  However, the final track, Mambo Italiano, with lyrics so cheesy they include mozzarella (it’s true!), may be a mambo too far. Fortunately, the track is redeemed by some great horn lines, a fine trombone solo by Wayne Wallace, and the impression that the band clearly had such a good time playing it, along with the rest of the album.   
Debra.
Kat Parra – vocals; Murray Lowe – piano; Marc van Wageningen – electric bass; Aaron Germain – acoustic bass; Sascha Jacobsen – acoustic bass; Colin Douglas – drums; Daniel Foltz – drums; Michael Spiro – percussion; Masaru Koga – alto & soprano sax, shakuhachi, flute, coros; John Worley – trumpet; Wayne Wallace – trombone; Lila Sklar – violin; Seth Asarnow – bandoneon.

No comments :

Blog Archive