May.
Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.
Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.
Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.
Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!
Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.
The worldwide publicity surrounding the death of rock legend Prince left me with nothing further to say. After all, he had little jazz affinity - or did he?
4 comments :
Dance, Music, Sex, Romance - what else is there to say indeed! What a genius .... and I've always loved the colour purple!
Having significant knowledge of Princes' music: my brother and best friend travelled to Edinburgh and Scotland respectively to see him, I have another friend who is a big fan, my wife likes him and I've heard a number of his albums and have been working through them chronologically; knowing Miles as an idol, or as near to an idol as I do these days, I can't help wondering whether Miles was being mischievous comparing Prince to Duke, who he refers to in his auto/ biography as the King of Jazz. Like Sinatra saying ' Something ' was the best love song for fifty years and attributing it to Lemon and McCartney.
Like Bowie, Prince was an accomplished popstar, doing the haircuts, clothes and attempting to create a media mystique, and like Bowie, he was one of the best though, unlike Bowie he was a fine guitarist, though the multi-instrumentalist bit is overstated.
Like Michael Jackson he was a better popstar than he was a Soul Artist.
He made enough good music to fill up a CD while Miles made dozens of great albums, many of which should be rated amongst the best albums ever made, and Duke made countless classics and may well be Americas' great composer.
Long after his contribution to music was over Miles remained a prickly character and we possibly shouldn't take everything he said too seriously.
Maybe it should be Music, Dance, Romance, Sex - in that order! But it probably wouldn't have scanned quite so well, with Prince's music!
Just come across an interesting quote in Rickey Vincents' tome 'Funk'.' When pop superstar Prince intimated that ' it's time for jazz to die ' in 1983, he touched the pulse of the musical community.' Given the trajectory of Miles at that time and his position within the jazz community which was turning its back on electricity, his comment seems less surprising. Plus there was that wardrobe to browse through.
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