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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: Struggle Buggy @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Tuesday, April 26, 2016

Darlington Jazz Festival: From Clervaux to the Quakerhouse. April 23

(Review by Russell/Photos of Dean Stockdale courtesy of Shaune Eland. Photos of Ruth Lambert and Lindsay Hannon from BSH archives)).
Clervaux Artisan Bakery’s covered courtyard on Coniscliffe Road is the perfect place for an early start the morning after the night before. Jazz from 10:00am with a coffee, pastry or something more substantial kick-started Saturday’s long day of festival music (the late night jam session would wind down in the early hours of Sunday).
Jonny Dunn (trumpet) & Steve McGarvie (keyboards) played a half hour set at around eleven o’clock. Members of the Durham Alumni Big Band, the duo chose a tune, played it, suggested another one and played it. The audience comprised Clervaux’s regulars, the Saturday morning lycra-clad cyclists stopping by to refuel and the jazz diehards. All the Things You Are typified a tasteful set – Dunn the lyrical horn player, McGarvie the piano player perhaps better known as the Alumni’s alto/soprano saxophonist.         
Al Wood (baritone sax) & Dean Stockdale (keyboards)     

Al Wood’s cv is impressive – ex-Maynard Ferguson, Ken Mackintosh and countless gigs with a dizzying array of A-listers (Peter King, Danny Moss, Kenny Baker, Nat Adderley, Buddy Greco) and Dean Stockdale, the junior man of the partnership, has been schooled by the best in the business including Dave Newton and now playing GAS book gigs with the likes of Ruth Lambert and James Birkett and working with contemporary performers such as Johnny Hunter. 
Yorkshire based Wood plays all the saxes, trumpet and trombone. At this Darlington Jazz Festival weekend he wielded the big beast, the baritone. Coffee, tea, cake, chatter in the sunlit space, Wood and Stockdale played whatever took their fancy. Have You Met Miss Jones? then Autumn in New York, Softly, as in a Morning Sunrise, There Will Never be Another You and Wood going for it on St Thomas. Class playing from the duo.
More class playing was in the offing with the Baker siblings – Amy and Alex – next up. That festival dilemma cropped up – stay at Clervaux or walk around the corner to the Quakerhouse for the afternoon set in the bar. The Quakerhouse won out (the Bakers would be playing later at Central Hall, as indeed would Al Wood and Dean Stockdale).          
Ruth Lambert Trio: Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass) Cheltenham bound. Darlington Jazz Festival to Cheltenham Jazz Festival, Ruth Lambert dropped by to open the afternoon’s entertainment at the Quakerhouse and then on to the BBC Introducing stage at the Cheltenham Jazz Festival later this week. Ah, such is the life of a superstar!
Time After Time – Lambert swinging as only she can. Silencing a pub crowd tells you all you need to know, we were listening to a great singer. Backed by Giles Strong, guitar and double bassist Mick Shoulder, Lambert’s set flew by. Everything Was Beautiful, Love for Sale, Shoulder’s How Could I? A pint of Green Mill’s Ella (it had to be!) then Skylark. A master class in jazz singing. Caravan, No Moon at All and to end, The Snake. Hey, there, Cheltenham – you’re in for a treat!              
Noel Dennis (trumpet & flugelhorn) & Dean Stockdale (keyboards) That man Dean Stockdale strolled from Clervaux to the Quakerhouse to meet up once more with Noel Dennis. Their duo gig is a relatively new partnership and they’ve yet to play a wrong note. There is no Greater Love, Tom Harrell’s Moon Alley (Dennis, flugelhorn), Mingus’ Nostalgia in Times Square, a marvellous Beautiful Love, My Funny Valentine, Love for Sale (for the second time this afternoon) and to close, Now’s the Time. We’re still waiting for that wrong note.  
The Lindsay Hannon Plus: Lindsay Hannon (vocals), Mark Williams (guitar), John Pope (double bass) & Russ Morgan (drums)
With pianist James Harrison on tour with Philip Scofield, bandleader Lindsay Hannon called in a dep. Not any old dep, rather the never less than brilliant Mark Williams. The Quakerhouse bar doesn’t have much floor space placing drummer Russ Morgan partially out of view. No matter, what a player! The Papal presence of double bassist Mr. J Pope guaranteed a swinging set and Ms. Hannon started to sing. Decidedly ‘other’ material is Hannon’s thing. Always in key, expert voice projection, forever taking a chance, Hannon mixed self-penned numbers with several standards (The Very Thought of You, No More Blues with its impressive vocal gymnastics, some Monk and Miss Otis Regrets). This was Hannon excelling in a small combo setting, later in the evening, she would take on the challenge of performing to a somewhat larger gathering in Central Hall.
Russell.                   

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