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Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 14, 2015

Blind Monk @ The Jazz Café - Nov. 13










Bob Whittaker (ten); Hugo Harrison (bs); Johnny Hunter (dms).
(Review/bw photo by Lance/Colour photos courtesy of Mike Tilley).
Friday the 13th, unlucky for some, but not for those at the Jazz Café last night where the lads from Liverpool, the Blind Monk Trio, pleased all but the most discerning ears. Tenor/bass/drums trios are becoming more and more the norm these days both here, in Europe and New York and, with the absence of guitar or keyboard, allows the saxophonist a freer hand, carte blanche if you will, to travel where e'er he care to.
This, Whittaker did well only rarely trespassing beyond the bounds of sanity.
It took them awhile to acclimatise - literally! The saxman played the first set wearing a duffle coat (yes they still make them!) whilst Harrison sported a woolly hat. By contrast, Hunter was in almost Costa Del Sol apparel. As the set progressed, with most numbers containing an end of gig style drum solo, it was easy to see why! 
This was contemporary without anyone sending an urgent message to the RSPCA. Nor were there any poncy music stands or visible ipads - it came from the heart.
Mainly originals, often with quite quirky heads punctuated with pregnant pauses. This was music to keep you wide awake. My bottle of Geordie Jazz (A traditional bitter, amber in colour, it's maltiness offset with plenty of bitterness using traditional English Goldings and Fuggles hops) could have been re-named Scouse Jazz - the Fuggles and the Goldings were dancing in the bottle to the beat and this was to a tune that was almost a ballad - almost!
Come the second set, the woolly hat now sat atop of the double bass scroll with the duffle discarded.
They swung out, brother did they swing out. Hunter gave another end of set solo even though the set end was but a dot on the horizon!
Whittaker pitched in taking it to the limit. A slugfest 'twixt tenor and traps with Harrison as referee. No prisoners taken, no quarter given.
This was way out, and I use the expression advisedly, of my comfort zone yet I didn't mind. When somethings done well and effectively comfort zones cease to exist.
The music, as the name implies, hints at Thelonious Monk. Imagine Monk, blind drunk, and you've got the picture. They did actually play a Monk tune, the appropriately named Friday the Thirteenth.
There was also a Sam Rivers number but, in the main, original compositions by the three individuals.
There was a good turn out for a band which deserved nothing less.
Maybe I'll end up supporting Everton or Liverpool!
Photos.
Lance.

2 comments :

Anonymous said...

Boss trio, nice review. Blind Monk Trio regularly appear at The Caledonia, Liverpool -- always a great night. Cheers 🍻.

David Keighley (on F/b) said...

Cracking gig indeed!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance