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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sunday, November 01, 2015

Ray Johnson & Tom Lapworth @ The Jazz Café – October 31

Ray Johnson (trumpet & flugelhorn) & Tom Lapworth (guitar)
(Review by Russell/Photo courtesy of Mike Tilley)
Last night’s Halloween goings-on around town had to be seen to be believed. Ghouls galore, full costume, face paint, the works. Big business types must be cackling all the way to the bank on their broomsticks. The Jazz Café would offer sanctuary. Horror of horrors! A zombie – full costume, face paint – had taken over the bar. The nightmare never ending, the night of the living dead. Meanwhile…
On occasion a jam session or workshop forges a musical alliance. Over the years Dave Weisser’s weekly meeting at the Chillingham has introduced musicians to one another. Ray Johnson and Tom Lapworth met at one of those Wednesday night sessions at the Chilli. Modern jazz standards the common bond, they expressed a wish to perhaps do something, some time. The Jazz Café’s Saturday evening duo sessions seemed like the ideal platform to get together and play a few tunes.
With Johnson living out in the wilds of Northumberland and Lapworth having recently relocated to Leeds, rehearsals were at a premium. Skype offered a ‘next best’ solution. The wonders of technology!  A set list agreed, they would meet at the Caff.
Black Nile, Stolen Moments, Just Friends. Solid material. Lapworth, the junior partner, had been in the woodshed, Johnson had played the dots countless times and alternated between trumpet and flugelhorn. If there were any nerves on the stand it appeared they were with Johnson. By no means reserved, but perhaps, a tad tentative to begin with. In contrast, Lapworth, playing his recently acquired Telecaster, dipped into his copy of ‘A thousand and one chords before breakfast’. Tom Harrell’s sensitive Moon Alley heard a more relaxed Johnson on flugel, the senior man beginning to express himself. Afro Blue confirmed the view that the duo felt more settled. Johnson thought Autumn Leaves was appropriate at this time of year, introducing the number with trumpet muted.
An interval chat with a sage judge on matters jazz suggested Lapworth’s Telecaster was, perhaps, not the best choice of instrument for an up-close selection of standards. Strings and brass can be an exposed duo combination – there is nowhere to hide. To some ears – your BSH correspondent’s – the format and choice of instrument made close listening a rewarding experience. Guitar accompaniment with a plethora of chord changes feeding solo brass excursions succeeded in keeping things ‘on the edge.’ Hats off (witches hats included) to Johnson and Lapworth.
Tadd’s Ladybird, Sting’s Fragile and Miles’ Four set the second set on its way, perhaps at times a little hurried, but good stuff nonetheless. The Preacher hit the heights. Great intro from Lapworth, the blues feel picked up by Johnson. The duo continued to up their game on Stanley Turrentine’s Sugar and topped the lot with ACJ’s How Insensitive. This was sensitive; Lapworth’s chords – one of them a seemingly impossible stretch – and an excellent flugel solo from Johnson. The Jazz Café’s Saturday crowd grew in number, at its peak the place was busy. Johnson and Lapworth should be pleased with the response. For a first public performance things went well. It is to be hoped they do it again. They know better than anyone that gigging is key, let’s hope geographical estrangement won’t be a decisive factor in future. Michael Brecker’s Timeline took us up to eleven. Good to see the guys, until next time…                      
Russell.

1 comment :

ray johnson said...

Thanks Russell spot on critique as usual. Good to see you again.

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