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Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 15, 2015

Voshtina & Williams @ The Jazz Café – Nov.14

Belinda Voshtina (vocals) & Mark Williams (guitar)
(Review by Russell)
Late afternoon the last knockings of an Atlantic storm lashed Tyneside on its way out to the North Sea. Newcastle’s night time economy would suffer as a result. Pubs and clubs would be quiet, inner city residents, for once, would be able to hear themselves think. A case of wishful thinking! Pubs doing a brisk trade, a Happy Mondays sold out gig at the Academy, takeaways re-fuelling the sodden and the Jazz Café busy with few seats to be had.
Belinda Voshtina and Mark Williams were putting together a last minute set list for their first outing as a duo. Williams looked at your drowned rat correspondent saying: It’s still raining, then? Perceptive. Key and tempi of little concern, vocalist Voshtina knew guitar virtuoso Williams would come up with the goods. And so to work.
It’s Almost Like Being in Love, Agua de Beber, There Will Never Be Another You – good material; Voshtina’s rich, resonant, multi lingual vocals, Williams, accompanist of choice to the very best on the scene.
Ain’t No Sunshine (correct!), Georgia, Nature Boy, Autumn Leaves (millions of ‘em!) and Comes Love. Voshtina sang boldly, her voice projecting with ease, the occasional verse in Portuguese, a winning smile never far from her lips. A lower register At Last – something of a showstopper in a large scale production, in the intimate setting of the Jazz Café a real knockout – and a swinging Lullaby of Birdland with Joe Pass (Mr M Williams) excelling!
The choice of material familiar, perhaps advisable for their first duo gig together, held the attention of most, most of the time (the usual barfly hubbub intruding from time to time).
Black Orpheus – Voshtina’s enviable command of Portuguese at its best – and as a finale, a rockin’ Route 66. Belinda had a great time. She thanked the ‘lovely’ Mark Williams. A big thank you, to you, Belinda and the ‘lovely’ Mr Williams.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance