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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 10, 2015

John Wilson Orchestra w. Matthew Ford & Louise Dearman @ Sage Gateshead

Hardly a jazz concert - Hall One was three tiers full and 'twill be the same tonight! However, there was a strong jazz presence amongst the 68 piece orchestra including Colin Oxley on guitar and drummer Matt Skelton.
The overture was a medley of just about all the well known Gershwin goodies bookended by snatches of Rhapsody in Blue. This indicated to me that we weren't going to be dealt a selection of done to death songs but some lesser known ones and, in the main, we were.
Treat me Rough from Girl Crazy brought Matthew Ford and Louise Dearman to the fore. They were in good voice. It's a great song. Mike Lovell blew trumpet and Harold McGill alto.
Louise hung around for a wistful But Not for Me. Including, as did most of the songs, the verse. Let's face it, why write a verse then have just about every other singer ignore it?
The duo then introduced us to another rarely heard piece of Gershwin - Could You Use Me?
The lyric's quite incredible: 
There's a chap I know in Mexico,
Who's strong as he can be,
Eats nails and drinks Texaco,
He's the type for me.
Yes George's music was great but Ira's lyrics weren't bad either!
Slap That Bass; They Can't Take That Away From me; I Was Doin' Alright (by Louise) led us to the interval and New York Rhapsody.
Now this is the moment when I move away from the 'isn't it great syndrome'. As a songwriter Gershwin ranks alongside the very greatest (Porter, Kern, Berlin, Rodgers etc) but, I've never quite got into his quasi classical composition and this one was no better than his more famous rhapsody. Having said that, Ian Buckle played it brilliantly and I felt privileged to hear what was a very rarely, if ever, played composition. Still...
Interval time. A quick hello to 3 of the guys (l-r) Colin (alto), Andy and Russell (trumpets).
Back in our seats, Matthew and Louise, now in a stunning figure-hugging dress that dispelled speculation that she may be preggers, Struck up the Band then Louise displayed her spot on pitching with an emotional How Long Has This Been Going on?  Matthew sang Let's Kiss and Make up - the latter two from the Astaire/Hepburn movie Funny Face then another big one from Louise - The Man I Love. Mark Crooks came down front and blew Lady be Good - the Artie Shaw arrangement. Matthew 'did Gene Kelly' with S'wonderful, Both singers made love moves in For You, For Me, Forever More then the show drew to a close with Shall We Dance/They All Laughed.
Of course it's never over until the fat lady sings except this afternoon it was the very slim, svelte, sophisticated Louise who sang Someone to Watch Over Me. Unaccompanied verse and first 16 bars before taking us out with as good a version as you'll hear in a lot of listening.
Oh yes, John Wilson! A Geordie Lad made good. His control of the 68 piece band a joy to watch and his announcements both humourous and informative. Carve his name alongside Alan Shearer, Sting and Eric Burdon.
Roll on next year.
Lance.
PS: Liz, up from York, and myself, up from Hebburn, enjoyed an after show chat with Ann Havis who just happened to be ex J.G.Windows... small world.

2 comments :

Liz said...

a wonderful afternoon, up to the usual John Wilson standard, I do like him , he has a very succinct way of addressing the audience, not over much, just enough to keep us in the loop without overdoing it. Lance said it all performance-wise...same time next year?

John Forster (on F/b) said...

Just got back from the evening gig. First class as usual.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance