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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009-30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 19: Sat 19: Paula Jackman’s Jazz Masters @ St Augustine’s Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. Country blues guitar & vocals. A ‘Jar on the Bar’ gig.

Sun 20: Kamasi Washington @ The Glasshouse, Gateshead. 7:30pm. POSTPONED! New date Saturday 5 April 2025.
Sun 20: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Mon 21: Gideon Tazelaar Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Gideon Tazelaar Quartet @ The Black Bull, Blaydon. 8:00pm.

Tue 22: Bywater Call @ The Cluny, Newcastle. 7:30pm (doors). Americana/blues/soul excellence.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, November 05, 2015

Dave Milligan Trio @ Brunswick Methodist Church – November 5

Dave Milligan (piano), Tom Lyne (double bass) & Tom Bancroft (drums)
(Review by Russell)
Jazz goes to choich! In a side street off the main drag, culture vultures ventured over to the dark side determined to resist any mumbo jumbo from the wacko deluded oddballs. Brunswick, a melting pot of the comfortable and complacent, the lonely and lost, some killing time, escaping, temporarily, from their main drag dead end job. They have come in from the cold, studiously ignoring the Big Issue vendors, side-stepping the homeless.
Inside, the chapel welcomed the jazz brethren, or rather, the Friends of King’s Hall bods and the dragooned students (out of bed in the nick of time). The Dave Milligan Trio had something of a surprise awaiting them – Newcastle University’s music department went to the trouble of transporting a grand piano to the city centre venue! Milligan’s principal discipline is jazz although he does work cross genre, as do his bass player and drummer. Tom Lyne, Canadian born, but a long time resident north of the border, possesses a real jazz sound; full, resonant, with a great sense of time. The other Tom, Tom Bancroft, has an equally impressive jazz cv together with his interests in the folk world.
The majority of the compositions played in this one hour recital were written by Milligan.  Brubeckian, European classical, percussive dance grooves, the tunes wittily titled – Don’t Just Do Something, Sit There and Going Nowhere to name but two – were well received, although the audience sat on its hands, choosing/failing to acknowledge solos from Lyne and Bancroft, the trio winning polite applause at their conclusion.
Milligan’s playing of a high order, dense, percussive excursions drew in the listener with bass and drums negotiating the charts in an unobtrusive manner. An atypical piece to end the lunchtime recital – a South African township composition – belatedly stirred audience and musicians alike.
Russell

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