Total Pageviews

Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14438 (and counting) posts since we started blogging 14 years ago. 716 of them this year alone and, so far, 13 this month (August 6).

From This Moment On ...

August

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thursday, November 05, 2015

Dave Milligan Trio @ Brunswick Methodist Church – November 5

Dave Milligan (piano), Tom Lyne (double bass) & Tom Bancroft (drums)
(Review by Russell)
Jazz goes to choich! In a side street off the main drag, culture vultures ventured over to the dark side determined to resist any mumbo jumbo from the wacko deluded oddballs. Brunswick, a melting pot of the comfortable and complacent, the lonely and lost, some killing time, escaping, temporarily, from their main drag dead end job. They have come in from the cold, studiously ignoring the Big Issue vendors, side-stepping the homeless.
Inside, the chapel welcomed the jazz brethren, or rather, the Friends of King’s Hall bods and the dragooned students (out of bed in the nick of time). The Dave Milligan Trio had something of a surprise awaiting them – Newcastle University’s music department went to the trouble of transporting a grand piano to the city centre venue! Milligan’s principal discipline is jazz although he does work cross genre, as do his bass player and drummer. Tom Lyne, Canadian born, but a long time resident north of the border, possesses a real jazz sound; full, resonant, with a great sense of time. The other Tom, Tom Bancroft, has an equally impressive jazz cv together with his interests in the folk world.
The majority of the compositions played in this one hour recital were written by Milligan.  Brubeckian, European classical, percussive dance grooves, the tunes wittily titled – Don’t Just Do Something, Sit There and Going Nowhere to name but two – were well received, although the audience sat on its hands, choosing/failing to acknowledge solos from Lyne and Bancroft, the trio winning polite applause at their conclusion.
Milligan’s playing of a high order, dense, percussive excursions drew in the listener with bass and drums negotiating the charts in an unobtrusive manner. An atypical piece to end the lunchtime recital – a South African township composition – belatedly stirred audience and musicians alike.
Russell

No comments :

Blog Archive