Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, November 26, 2015

CD Review: Bokani Dyer - World Music.

Bokani Dyer (pno/keys/synth); Shane Cooper (bs); Marion Witbool (dms); Buddy Wells (ten); Justin Bellairs (alt); Robin Fassie-Kock (tpt); Sakhile Moleshe, Lee-Ann Fortuin (vcls); John Hassan (perc/vcls).
(Review by Lance).
Botswana born, South African based pianist, Dyer encompasses the many moods of expression that have embraced and influenced him. From Bach to Soul, from Ellington to Mbira music justifying the somewhat ambiguous album title of World Music.
The compositions are Dyer's (Outro in conjunction with Moleshe) and display fully the breadth of his imagination. Sometimes it's foot tapping township (Vuvuzela), funereal (Waiting, Falling), pensive (Reflection), synthesised (Transit), lyrical (The Artist), emotive (Interlude - See my People Through), probing (Recess), swingy (Keynote), majestic (Master of Ceremony), compelling (Motho Wa Modimo),
Dyer's piano is always well featured with meaningful solo lines  and strong chording behind the horn solos. African Piano - Water, sounds like Dyer's playing a thumb piano. Maybe he is! The horns acquit themselves admirably. Pithy angular solos inspired as much by New York as by Jo'burg.
To reiterate, an album of much variety which is both it's strength and it's weakness. Every track didn't knock me out but, in fairness, most of them were impressive or at least worth hearing.
Lance.

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