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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Thursday, November 26, 2015

CD Review: Bokani Dyer - World Music.

Bokani Dyer (pno/keys/synth); Shane Cooper (bs); Marion Witbool (dms); Buddy Wells (ten); Justin Bellairs (alt); Robin Fassie-Kock (tpt); Sakhile Moleshe, Lee-Ann Fortuin (vcls); John Hassan (perc/vcls).
(Review by Lance).
Botswana born, South African based pianist, Dyer encompasses the many moods of expression that have embraced and influenced him. From Bach to Soul, from Ellington to Mbira music justifying the somewhat ambiguous album title of World Music.
The compositions are Dyer's (Outro in conjunction with Moleshe) and display fully the breadth of his imagination. Sometimes it's foot tapping township (Vuvuzela), funereal (Waiting, Falling), pensive (Reflection), synthesised (Transit), lyrical (The Artist), emotive (Interlude - See my People Through), probing (Recess), swingy (Keynote), majestic (Master of Ceremony), compelling (Motho Wa Modimo),
Dyer's piano is always well featured with meaningful solo lines  and strong chording behind the horn solos. African Piano - Water, sounds like Dyer's playing a thumb piano. Maybe he is! The horns acquit themselves admirably. Pithy angular solos inspired as much by New York as by Jo'burg.
To reiterate, an album of much variety which is both it's strength and it's weakness. Every track didn't knock me out but, in fairness, most of them were impressive or at least worth hearing.
Lance.

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